A LATE LOUIS XV ORMOLU-MOUNTED CHINESE POWDER-BLUE GLAZED PORCELAIN MATCHED GARNITURE
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A LATE LOUIS XV ORMOLU-MOUNTED CHINESE POWDER-BLUE GLAZED PORCELAIN MATCHED GARNITURE

CIRCA 1770, THE CENTRAL VASE POSSIBLY ORIGINALLY WITH A PORCELAIN LID

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A LATE LOUIS XV ORMOLU-MOUNTED CHINESE POWDER-BLUE GLAZED PORCELAIN MATCHED GARNITURE
CIRCA 1770, THE CENTRAL VASE POSSIBLY ORIGINALLY WITH A PORCELAIN LID
Comprising a pair with domed leaf-wrapped cover with berried finial and gadrooned rim, above a bulbous body and flared neck flanked by ram's masks, on a waisted circular spreading shaft with cabochon-cast rim, the central vase with conforming lid and base, the body hung with laurel garlands, the three vases with a printed label 'ROYER, emballeur 14, rue du Cherche-Midi Paris-6e' inscribed '46', the central vase with two labels inscribed '4747', the porcelain previously with further decoration
The pair: 11½ in. (29 cm.) high; 6½in. (16.5 cm.) wide; the central vase: 12 in. (30.5 cm.) high; 7 in. (18 cm.) wide (3)
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

The extremely unusual feature of domed gilt-bronze covers, as opposed to porcelain, is also seen on a pair of goût grec ormolu-mounted Chinese powder blue porcelain vases in the musée du Louvre, Paris. Clearly reflecting the influence of Jean-Charles Delafosse, they are illustrated and discussed in D. Alcouffe et al., Gilt Bronzes in the Louvre, Paris, 2004, no.74, p.151. A further related powder-blue porcelain garniture with ram's-mask and laurel-swagged mounts, the flanking vases with porcelain lids, was sold anonymously at Christie's London, 27 June 1974, lots 13-14 (illustrated in S. Eriksen, Early Neoclassicism in France, Geneva, 1974, pl.238 and p.362).

Closely related mounts, undoubtedly by the same bronzier, feature on a pair of vases from the collection of the Earl of Powis for Powis Castle, Wales (sold Sotheby's London, 11 May 1962, lot 159), a pair of celadon vases illustrated in Jean-Marie Rossi, 45 Ans de Passion, Paris, n.d., p.121 and a garniture of three deep blue porcelain vases sold in Paris, Galerie Jean Carpentier, 27-28 November 1934, lots 12-13. A further related pair, but with puttti mounts, is discussed by T. Dell, The Frick Collection French Furniture & Gilt Bronzes, II, Vermont, 1992, pp.315-20. Dell associates the Frick vases stylistically with the bronzier Jean Godille, who are recorded in the Almanach Dauphin of 1773: Godille, rue Guénégaud, renommé pour les garnitures de porcelain et autres vases précieux.

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