Lot Essay
The inscription around the rim contains invocations to God and the Fourteen Innocents.
The owner's inscription on the exterior of the rim is in the name of Mirza Muhammad. On the top of the rim in one place is "Muhammad Hasan", while facing it, in the same hand, above the start of the main inscription is the simple "Abdeh (God's servant) Taher". The placing of this inscription and the one across the rim from it, coupled with the simplicity of the name and the style of the script, makes it possible that Taher was the maker of this bowl, while the patron was Muhammad Hasan.
The palmette panel decoration around the sides of the bowl is very similar to that of a dish in the Victoria and Albert Museum, dated 902 (1496-97 AD) (Melikian-Chirvani, A.S.: Islamic Metalwork from the Iranian World, London, 1982, no.110, pp.250-252).
The owner's inscription on the exterior of the rim is in the name of Mirza Muhammad. On the top of the rim in one place is "Muhammad Hasan", while facing it, in the same hand, above the start of the main inscription is the simple "Abdeh (God's servant) Taher". The placing of this inscription and the one across the rim from it, coupled with the simplicity of the name and the style of the script, makes it possible that Taher was the maker of this bowl, while the patron was Muhammad Hasan.
The palmette panel decoration around the sides of the bowl is very similar to that of a dish in the Victoria and Albert Museum, dated 902 (1496-97 AD) (Melikian-Chirvani, A.S.: Islamic Metalwork from the Iranian World, London, 1982, no.110, pp.250-252).