A RARE HUANGHUALI AND WUMU SOUTHERN OFFICIAL'S HAT ARMCHAIR, NANGUANMAOYI
PROPERTY FROM AN IMPORTANT PRIVATE MIDWESTERN COLLECTION
清初 黃花梨鑲烏木高扶手南官帽椅

17TH/18TH CENTURY

細節
黃花梨圓材做。靠背以烏木攢框打槽裝板,上端鑲團螭紋,中段鑲黃花梨板,下端透雕亮腳。搭腦與扶手以「挖煙袋鍋榫」與後腿上截及前腿上截鵝脖連做。椅面軟屜,下裝券口牙條,卷雲紋牙角。腿間設步步高管腳棖,四腿外圓內方,側腳收分明顯。

利用二種或以上木料鑲製成椅,對工匠的技術是極大考驗。另見一件清初黃花梨鑲烏木及黃楊木梳背玫瑰椅(拍品2024號)。

此品1994年源自香港嘉木堂。著錄於2002年香港出版S. Leece、M. Freeman合著《China Style》,57頁。
來源
Grace Wu Bruce, Hong Kong, 1994.
出版
Sharon Leece and Michael Freeman, China Style, Hong Kong, 2002, p. 57.

榮譽呈獻

Christopher Engle
Christopher Engle

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拍品專文

Because it was costly and only grew to a small diameter, wumu, or ebony, was rarely used as a structural material in Chinese furniture, but rather as a decorative element. This is seen, for example, in the four-shelf huanghuali bookcase with wumu railings illustrated by Wang Shixiang and Curtis Evarts, Masterpieces from the Museum of Classical Chinese Furniture, Chicago and San Francisco, 1995, p. 122, no. 57, later sold by Christie's, New York, 19 September 1996, lot 80.
The present chair, which combines wumu for the framework of the splat and the equally prized huanghuali for the structural elements, ranks as a fine example of the subtle way skilled carpenters would combine rare materials and high quality carving and craftsmanship to create a most pleasing aesthetic. This combination can also be found on a huanghuali and wumu meiguiyi in the present sale (lot 2024).

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