A RARE IMPERIAL CARVED OPAQUE ORANGE GLASS PEAR-SHAPED VASE

QIANLONG ENGRAVED FOUR-CHARACTER MARK WITHIN A DOUBLE-SQUARE AND OF THE PERIOD (1736-1795)

細節

清乾隆御製橘紅料刻蓮紋瓶雙方框《乾隆年製》楷書刻款

瓶唇口，長頸，溜肩，垂腹，圈足。通體橘紅地，不透明。頸飾四組花草拐子紋，頸肩處兩道弦紋中飾回紋，腹部四面開光，開光內刻蓮花，開光間上下均飾如意雲頭四個，圈足外環飾花草紋四組。圈足雙方框內刻「乾隆年製」楷書款。

此器胎體厚重，造型規整，琢磨圓熟，係仿漆器中之精品。乾隆玻璃製作承前啟後，在延續前朝傳統之同時，亦注入新的元素。據活計檔案記載，雍正五年皇帝已下旨製作仿漆料器，此器在前朝製作的基礎上再加入本朝的特色浮雕，製成了如此精品。

此器1995年於三藩市亞洲藝術博物館舉辦之《A Chorus of Colors - Chinese Glass from Three American Collections》展出，並著錄於展覽目錄圖版91號；也著錄於1994年香港出版《盈寸纖妍．瑪麗及佐治伯樂鼻煙壺珍藏》展覽目錄第49頁，圖5。

來源

Alvin Lo & Co.

出版

C.F. Shangraw, "Reflections on the Qing Imperial Glasshouse (1696-1911)", The George and Mary Bloch Collection of Chinese Snuff Bottles, Hong Kong, 1994, p. 49, fig. 5
C.F. Shangraw and C. Brown, A Chorus of Colors: Chinese Glass from Three American Collections, Asian Art Museum of San Francisco, 1995, no. 91

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拍品專文

The present vase with its unusual colour is a rare example of the glass wares produced by the Imperial workshops in imitation of lacquer, and most probably dates to the early Qianlong period. In an article by Zhong Rong, Researcher at the Beijing Palace Museum, published in Zhongguo Zhiyun, April 2010, Mufangxi, The Elegance of Imitation, the author states that as early as the fifth year of Yongzheng (1727) there is written record of the Courts request to make glass vessels in imitation of lacquered chrysanthemum dishes of the Ming dynasty Jiajing period in 15 to 20 different colours.

QIANLONG ENGRAVED FOUR-CHARACTER MARK WITHIN A DOUBLE-SQUARE AND OF THE PERIOD (1736-1795)

拍品專文

更多來自 妙色瑩然 - 舒思深伉儷珍藏宮廷御製藝術精品

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