A REGENCE GILTWOOD CONSOLE TABLE
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A REGENCE GILTWOOD CONSOLE TABLE

CIRCA 1720-30

Details
A REGENCE GILTWOOD CONSOLE TABLE
CIRCA 1720-30
The arc en arbalette-shaped brocatelle marble top with moulded edge above a panelled frieze with hatched decoration centred by a recessed panel with a husk-trailed lambrequins flanked by acanthus scrolls, the sides conformingly decorated, on incurved gadrooned supports headed by a winged and draped female bust with feather headdress terminating in upswept acanthus scrolls and joined by a stretcher centred by a foliate-wrapped circular support, on square tapering feet, with a label 'VVE ROYER & Fils 14, rue du Cherche-Midi Paris 6e'
33¼ in. (85 cm.) high; 42 in. (107 cm.) wide; 21½ in. (55 cm.) deep
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

Lot Essay

This sculptural console, with female caryatid supports with floral head-dresses dates from the transition between the end of the Régence and the beginning of the Louis XV period. It displays the sculptural, balanced nature of Regence designs, whilst looking forward to the greater freedom and more naturalistic style of the 1730s.

The use of female caryatids and deeply incurving supports relates to the designs of the ornemaniste Nicolas Pineau (1684-1754), one of the most influential designers of the period and generally credited as one of the originators of the 'genre pittoresque'. Designs for similar consoles by Pineau, many of which were published in his lifetime, for instance in Mariette's Architecture à la Mode, are ilustrated in T. Strange, French Interiors, Furniture, Decoration, London, 1950, 3rd. ed., p. 230.

A closely related pair of consoles, formerly in the Madame Burat, Wrightsman and Wendell Cherry Collections, was sold anonymously at Christie's London, 13 June 2002, lot 243.

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