Details
Ealing Studios And British Films
Sixty-two black and white portrait and publicity photographs, circa 1935-1965, majority by Ed Orton, some signed by photographer, others with photographer's credit on reverse, Ealing subjects include: Paul Robeson in The Proud Valley, 1939 (3), George Formby in Spare A Copper, 1940, Leslie Banks in Big Blockade, 1941, Will Hay and John Mills in Black Sheep of Whitehall, 1941; other films include: Claude Rains and Fay Wray in The Clairvoyant, 1934 (3), Jack Hulbert in The Camels Are Coming, 1934, inscribed by photographer in pencil on reverse My first portrait, Frances Day in Dreams Come True, Cecil Hardwicke in Laburnum Grove, Donald Pleasance and Robert Shaw in The Caretaker, other portraits include: Diana Rigg (2), George Cole, Michael Redgrave, Hattie Jacques, Margaret Lockwood, and Will Hay; largest -- 22x16in. (56x40.7cm.), majority -- 14x11in. (35.6x27.8cm.)
Sixty-two black and white portrait and publicity photographs, circa 1935-1965, majority by Ed Orton, some signed by photographer, others with photographer's credit on reverse, Ealing subjects include: Paul Robeson in The Proud Valley, 1939 (3), George Formby in Spare A Copper, 1940, Leslie Banks in Big Blockade, 1941, Will Hay and John Mills in Black Sheep of Whitehall, 1941; other films include: Claude Rains and Fay Wray in The Clairvoyant, 1934 (3), Jack Hulbert in The Camels Are Coming, 1934, inscribed by photographer in pencil on reverse My first portrait, Frances Day in Dreams Come True, Cecil Hardwicke in Laburnum Grove, Donald Pleasance and Robert Shaw in The Caretaker, other portraits include: Diana Rigg (2), George Cole, Michael Redgrave, Hattie Jacques, Margaret Lockwood, and Will Hay; largest -- 22x16in. (56x40.7cm.), majority -- 14x11in. (35.6x27.8cm.)