Details
Henri de Toulouse-Lautrec
Jane Hading, from Portraits d' Acteurs et d'Actrices, Treize Lithographies (L.D. 162; A. 168; W. 255; Adriani 272)
lithograph printed in grey-black, 1898, on beige wove paper, from the set of thirteen, from the First Edition of about 400 printed before 1906 (there was a later edition of 40 in about 1913), with margins, a faint pencil inscription in the lower margin, generally in very good condition, L. 240 x 240mm.; Le Marchand de Marrons (L.D. 335), by Toulouse-Lautrec, lithograph; Combat d'Oiseax, by L. Cuisinier, etching with aquatint; La Tentation, and Pauvre France...(L.D. 101, 3843), by H. Daumier, lithographs; North Prospect of Canterbury, by H. Overton, engraving; and Versailles, l'Entrée de l'Orangerie (L. & C. 117), by A. Dunoyer de Segonzac, etching (7)
Jane Hading, from Portraits d' Acteurs et d'Actrices, Treize Lithographies (L.D. 162; A. 168; W. 255; Adriani 272)
lithograph printed in grey-black, 1898, on beige wove paper, from the set of thirteen, from the First Edition of about 400 printed before 1906 (there was a later edition of 40 in about 1913), with margins, a faint pencil inscription in the lower margin, generally in very good condition, L. 240 x 240mm.; Le Marchand de Marrons (L.D. 335), by Toulouse-Lautrec, lithograph; Combat d'Oiseax, by L. Cuisinier, etching with aquatint; La Tentation, and Pauvre France...(L.D. 101, 3843), by H. Daumier, lithographs; North Prospect of Canterbury, by H. Overton, engraving; and Versailles, l'Entrée de l'Orangerie (L. & C. 117), by A. Dunoyer de Segonzac, etching (7)