THE PROPERTY OF A GENTLEMAN (Lots 383-384)
A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND PARQUETRY COMMODE

BY ANDRÉ-LOUIS GILBERT AND ANTOINE GOSSELIN

Details
A LATE LOUIS XV ORMOLU-MOUNTED TULIPWOOD AND PARQUETRY COMMODE
By André-Louis Gilbert and Antoine Gosselin
Crossbanded overall in amaranth and inlaid in green-stained fruitwood, the associated breakfront moulded brêche d'alep marble top above three frieze drawers decorated with a foliage and entrelac and rosette band, above two long graduated drawers inlaid sans traverse, decorated with three concave cut-corner panels with geometric trellis-pattern, the corners with swirling paterae, the waved apron mounted with a flaming urn supported by entwined dolphins and chained to putti issuing from a laurel-wreath hung frieze, the sides with conforming panels, the rounded angles with further laurel swags, on cabriole legs, with acanthus and husk trails reaching to paw sabots, stamped A.L. GILBERT/JME and A.GOSSELIN/JME, with two printed paper labels to the reverse, one inscribed Baronin M.... de von Roths..ild, the other 493, Sammlun.. E. v. Goldschmidt-R..., restorations, largely remounted, the apron re-backed
50in. (127cm.) wide; 33¾in. (86cm.) high; 23in. (58.5cm.) deep
Provenance
Baroness Mathilde von Rothschild, Frankfurt
Erich von Goldschmidt-Rothschild, sold Herman Ball, Paul Graupe, Berlin 23-25 March 1931, lot 167
Anonymous sale, Christie's Monaco, 5 December 1992, lot 74

Lot Essay

André-Louis Gilbert, maître in 1774
Antoine Gosselin, maître in 1752

A closely related commode by Roger Vandercruse (RVLC) is in the Musée Nissim de Camondo, Paris, and illustrated in N. Gasc, The Nissim de Camondo Museum, Paris, 1991, p. 30. It further relates closely with a pair of commodes by Martin-Guillaume Cramer from the estate of Ethel Shields Garrett, sold Christie's New York, 5 November 1986, lot 202, and a further commode by Cramer in the Musée Nissim de Camondo, illustrated in op.cit., p. 22.

It is interesting to note that the marble top was described as being pink in the 1931 sale, which does indicate that it was probably replaced thereafter. The mounts, however, appear to be the same as illustrated in the sale catalogue of 1931 and seem thus to have been replaced at an earlier period.

More from Important Furniture, Tapestries and Carpets

View All
View All