William Blake (1757-1827)

The Elders of Israel receiving the Ten Commandments (?) (recto); Seated Woman with upraised arm (verso)

Details
William Blake (1757-1827)
The Elders of Israel receiving the Ten Commandments (?) (recto); Seated Woman with upraised arm (verso)
pencil, pen and black ink, grey wash, on oatmeal paper
12 x 13 in. (31.1 x 33 cm.)
Provenance
The artist's widow.
Possibly Frederick Tatham; Sotheby's London, 26 April 1862, in lot 170 with 6 others (Toovey for Henry Cunliffe,14/-).
Possibly Henry Cunliffe [of the South Kensington Museum]; Sotheby's London, 11 May 1895, in lot 98 with 3 others (Keppel, (3.50). Mrs W. Murray Crane, New York, 1939, bequeathed 1971 to her daughter Miss Louise Crane.
Literature
G. Keynes, William Blake's Illustrations to the Bible, Paris and London, 1957, p. 14, no. 43.
M. Butlin, The Paintings and Drawings of William Blake, New Haven and London, 1981, pp. 42-3, cat. no. 11, pls. 123 and 124.
Exhibited
Philadelphia Museum of Art, Works of William Blake Collected from Collections in the United States, 1939, no. 160.
Possibly New York, Grolier Club, Berks, Engravings, Water-Colors & Sketches by William Blake, 1905, no. 127.

Lot Essay

The title comes from the 1939 Philadelphia catalogue and refers to Exodus, XXXIV, 31-2: Moses talks to 'the rulers of the congregation...And afterwards all the children of Israel came nigh'. The drawing has been reworked above Moses' head. The woman on the reverse wears a sort of 'Egyptian' headress. The figure, set in some kind of architectural framework, could possibly be one of the Sybils, inspired by the figures of Michaelangelo in the Sistine Chapel; Blake made copies of one of the companion prophets, together with six of the ancestors of Christ, all from Ghisi's engraving after the original frescoes (Butlin, op. cit., p. 64-5, nos. 167-70, illustrated pls. 205-11).
This is one of a group of early drawings in pen and wash, roughly dateable in that certain of them are related to Blake's exhibits at the Royal Academy in 1783 and 1785 (see Butlin, op.cit., pp. 26, 54-5, 59-60); this example particularly dates from the final half of the 1780s.

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