GUSTAVE LE GRAY (1820-1882)

Details
GUSTAVE LE GRAY (1820-1882)

Camp de Châlons, Scène de Manoeuvres

Albumen print from a wet collodion negative. circa 1857. Signed in red ink on the recto 12 1/8 x 15 3/8in., mounted. Framed.
Provenance
Brigadier General Louis-Charles Auguste Morand (1826-1870);
Beaussant Lefèvre, Paris-Drouot, 2 June 1995, lot 17.
Literature
Janis, The Photography of Gustave Le Gray, p. 84, pl. 1; Museum of Modern Art, Photography Until Now, p. 322.

Lot Essay

In 1857 Napoleon III commissioned Le Gray to photograph his cavalry of twenty-five thousand men of the Imperial Guard and staff while conducting peacetime maneuvers east of Paris in a training camp set up to prepare his army should they be of need for a future war. Napoleon III and the Empress Eugénie were prominent leaders at the camp, directing all military, and most social and religious activities. The camp was no less than a grand spectacle of France's military might, and the emperor was sure to have his giant feat kept alive through photographs. In Le Gray's work there was the potential to record everything from individual portraits of the officers and life at the bivouac to monumental scenes such as this one displaying the army's finest moves. Each principal officer was later awarded a bound set of photographs as a lasting momento of their time spent serving their country. (See Janis, The Photography of Gustave Le Gray, pp. 85-98 for a complete description of The Camp de Châlons.)

Other prints of this image are in a private European collection and in the Paul Walter Collection.