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Lot Essay
published:
Azabu Museum of Art, and Osaka Municipal Museum of Art, eds., Nikuhitsu ukiyo-e meihin ten: Azabu bijutsukan shozo/Ukiyo-e Painting Masterpieces in the Collection of the Azabu Museum of Art, introduction by Kobayashi Tadashi, exh. cat. (Tokyo: Azabu Museum of Art; Osaka: Osaka Municipal Museum of Art, 1988), pl. 18.
Azabu Museum of Arts and Crafts, and Japan Institute of Arts and Crafts, eds., Edo no fashon, kaikan kinen ten, Part 1: Nikuhitsu ukiyo-e ni miru onnatachi no yosooi/"Fashion of Edo": Women's dress in Ukiyo-e Paintings, exh. cat. (Tokyo: Azabu Museum of Arts and Crafts, 1989), pl. 17.
Dale Carolyn Gluckman, and Sharon Sadako Takeda, When Art Became Fashion: Kosode in Edo-period Japan, exh. cat. (New York and Tokyo: Weatherhill; Los Angeles: Los Angeles County Museum of Art, 1992), cat. no. 187, color pl. p. 223.
Fuji Art Museum, ed., Nikuhitsu ukiyo-e bijinga ten (Exhibition of ukiyo-e beauty painting), catalogue by Nishina Sosuke, exh. cat. (Fujinomiya City: Fuji Art Museum, 1983), no. 31.
Shibui Kiyoshi, ed., Nikuhitsu ukiyo-e bijinga shusei/Ukiyo-e Paintings of Beauties in Japanese Collections, vol. 1 (Tokyo: Mainichi Shimbunsha, 1983), Genroku pl. 10.
Suntory Museum of Art, ed., Hishikawa Moronobu ten: 300nen kinen ukiyo-e tanjo (Exhibition of Hishikawa Moronobu: 300-year anniversary of the birth of ukiyo-e), introduction by Kobayashi Tadashi, exh. cat. (Tokyo: Suntory Museum of Art, 1994), ref. no. G.
Eguchi no kimi was a beautiful woman who turned away the wandering priest Saigyo (1118-1190). She later turned out to be a manifestation of the bodhisattva Fugen, an attendant of the historial buddha Shakyamuni (see also lot 124).
Azabu Museum of Art, and Osaka Municipal Museum of Art, eds., Nikuhitsu ukiyo-e meihin ten: Azabu bijutsukan shozo/Ukiyo-e Painting Masterpieces in the Collection of the Azabu Museum of Art, introduction by Kobayashi Tadashi, exh. cat. (Tokyo: Azabu Museum of Art; Osaka: Osaka Municipal Museum of Art, 1988), pl. 18.
Azabu Museum of Arts and Crafts, and Japan Institute of Arts and Crafts, eds., Edo no fashon, kaikan kinen ten, Part 1: Nikuhitsu ukiyo-e ni miru onnatachi no yosooi/"Fashion of Edo": Women's dress in Ukiyo-e Paintings, exh. cat. (Tokyo: Azabu Museum of Arts and Crafts, 1989), pl. 17.
Dale Carolyn Gluckman, and Sharon Sadako Takeda, When Art Became Fashion: Kosode in Edo-period Japan, exh. cat. (New York and Tokyo: Weatherhill; Los Angeles: Los Angeles County Museum of Art, 1992), cat. no. 187, color pl. p. 223.
Fuji Art Museum, ed., Nikuhitsu ukiyo-e bijinga ten (Exhibition of ukiyo-e beauty painting), catalogue by Nishina Sosuke, exh. cat. (Fujinomiya City: Fuji Art Museum, 1983), no. 31.
Shibui Kiyoshi, ed., Nikuhitsu ukiyo-e bijinga shusei/Ukiyo-e Paintings of Beauties in Japanese Collections, vol. 1 (Tokyo: Mainichi Shimbunsha, 1983), Genroku pl. 10.
Suntory Museum of Art, ed., Hishikawa Moronobu ten: 300nen kinen ukiyo-e tanjo (Exhibition of Hishikawa Moronobu: 300-year anniversary of the birth of ukiyo-e), introduction by Kobayashi Tadashi, exh. cat. (Tokyo: Suntory Museum of Art, 1994), ref. no. G.
Eguchi no kimi was a beautiful woman who turned away the wandering priest Saigyo (1118-1190). She later turned out to be a manifestation of the bodhisattva Fugen, an attendant of the historial buddha Shakyamuni (see also lot 124).