Lot Essay
Although traditionally attributed to Ribera, the present work is stylistically closer to Juan Carreo de Miranda, who sometimes used Ribera's compositions as a starting point for his own (see for example his Martyrdom of St. Bartholomew in the Meadows Museum Dallas, of 1666, which is based on Ribera's etching of the same subject).
Professor A. E. Prez-Sanchez knows the work from a transparency and believes it to be by a Valencian artist working in the style of Ribera. He has suggested an attribution to Esteban March (c.1610-c.1668), noting similarities between the present painting and works by the artist (for comparisons, see the catalogue of the exhibition, Ribera, Naples, Feb. 27-May 17, 1992, p. 72).
Professor A. E. Prez-Sanchez knows the work from a transparency and believes it to be by a Valencian artist working in the style of Ribera. He has suggested an attribution to Esteban March (c.1610-c.1668), noting similarities between the present painting and works by the artist (for comparisons, see the catalogue of the exhibition, Ribera, Naples, Feb. 27-May 17, 1992, p. 72).