Lot Essay
A critic of the 1898 exhibition at the New English Art Club noted that this work possessed 'striking effects of tone and colour' and 'audacious truthfulness of illumination'. Wendy Baron (loc. cit.) comments that 'these qualities, broad handling, blue-black tonalities, the use of grey as a dominant colour, curtain-like skies, and dramatic and fluctuating light effects, are all typical of Sickert's landscape style throughout the Dieppe period, but particularly from 1898 to 1900'.