Jean-Auguste-Dominique Ingres (French, 1780-1867)
Jean-Auguste-Dominique Ingres (French, 1780-1867)

Eros

Details
Jean-Auguste-Dominique Ingres (French, 1780-1867)
Ingres, J.-A.-D.
Eros
signed with initials 'I G' (lower right)
oil on canvas
13 x 13 in. (33.7 x 33.7 cm.)
Provenance
Jacques-Ignace Hittorf, Paris (by 1864, commissioned directly from the artist).
Wallraf-Richartz Museum, Cologne (bequethed from the estate of the above, 1898 until 1938, when it was sold).
Stanley Moss (1967).
Literature
Verziechnis der Gemalde des Wallraf-Richartz Museum des Stadt, Cologne, 1910, no. 95.
G. Wildenstein, Ingres 1954, p. 219, no. 261, fig. 165 (illustrated).
E. Radius and E. Camesasca, L'Opera Completa di Ingres, Milan, 1971, p. 168, no. 170c (illustrated).
P. Condon and M.B. Cohn, In Pursuit of Perfection: The Art of J.-A.-D. Ingres, Indiana, 1983, p. 64, (illustrated) pl.18.
Exhibited
Paris, Ecole des Beaux Arts, 1867, no. 417.
Louisville, KY, J.B. Speed Museum, In pursuit of Perfection: The Art of Jean-Auguste-Dominique Ingres, 3 December 1983 - 29 January 1984 exhibition traveled to Fort Worth, TX, Kimbell Art Museum, 1 March - 1 May 1984

Lot Essay

The image of Eros in this tondo derives from the artist's Venus Anadyomene, begun in 1807 and completed in 1848 (fig. 1). The architect Jacques-Ignace Hittorf commissioned the present work from Ingres as part of a series of tondi representing the heads of gods and goddesses. In a letter dated September 4, 1864, Hittorf's son Charles thanked the artist for the receipt of the tondi and described each of the paintings. These decorated a room in the Hittorf family residence, located on the now destroyed rue Coquenard, in Paris.

Ingres isolates the figure of Eros from the larger painting; the tondo shows a winsome profile of the young god of love with his rounded child-like features and tousled curls of hair. A portion of his wing and quiver are also depicted. The diagonal vector formed by Eros's hand, profile, and outstretched arm and the asymmetry of this composition lend the work a sense of dynamism.

Other tondi from this group represent Jupiter, Juno, Mars, Minerva, and Venus. In 1898, four of the tondi were given to the Wallraf-Richartz-Museum in Cologne. In 1938, three were sold, one of which is the present work.

*This lot may be exempt from sales tax as set forth in the Sales Tax Notice at the back of the catalogue.

fig. 1
J.-A.-D. Ingres, Venus Anadyomene, 1807-1848, Chantilly, Collection Muse Conde.

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