Attributed to CHARLES FRASER (1782-1860)
Attributed to CHARLES FRASER (1782-1860)

Comprising three portrait miniatures, the first a young Lady, in white dress with sash at waist and bows on shoulders, wearing a necklace and earrings, with brown hair swept up in ringlets; the second a young Gentleman in black jacket and stock, yellow waistcoat and white collar, with brown hair, attributed to A. Hill, 19th century; the third a young Gentleman with black jacket and white stock and collar, with brown hair swept forward, American School, late 18th-19th century

Details
Attributed to CHARLES FRASER (1782-1860)
Fraser, Charles
AMERICAN SCHOOL
Hill, A.
Comprising three portrait miniatures, the first a young Lady, in white dress with sash at waist and bows on shoulders, wearing a necklace and earrings, with brown hair swept up in ringlets; the second a young Gentleman in black jacket and stock, yellow waistcoat and white collar, with brown hair, attributed to A. Hill, 19th century; the third a young Gentleman with black jacket and white stock and collar, with brown hair swept forward, American School, late 18th-19th century
watercolor on ivory; oil on copper the third
3 x 3in. the first; 3 x 2.3/8in. the second; 2.3/8 x 2.1/8in. the third
the first gilt-wood rectangular frame with inset fitted red leather half case; the second gilt-wood scroll, leaf and bead-carved rectangular frame; the third gilt-wood rectangular frame with eglomise inset (3)

Lot Essay

A resident of Charleston, South Carolina, Charles Fraser (1782-1860) trained as a lawyer but worked as an artist poet and writedr. His work was exhibited in Charleston, Boston, and Philadelphia, cities in which he also successfully sought portrait commissions. (See G and W, p. 240; and Johnson, pp. 118-119).

An inscription on the back of the frame reads that the portrait was painted by a "Miss Hill." A listing for Mrs. Anne Hill and Mrs. Amelia [Robertson] Hill [Paton] are included in The New-York Historical Society's Dictionary of Artists in America, 1564-1860 (G and W, p.315, 490). The first published a book of floral drawings in Philadelphia in 1845, and the second was a Scottish sculptor who may have done wax portraits but is otherwise not known to have visited the United States.

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