Details
A SOAPSTONE BOTTLE
1770-1870
Of rounded tapering rectangular shape, carved in low relief with the sage Mifu before his scholar's rock issuing lingzhi and pine, the reverse side with an archaistic coiling dragon, the narrow sides with lion-mask fixed-ring handles, the stone of attractive mottled tone, stopper
2¾in. (7cm.) high
Provenance
Joseph Baruch Silver Collection
Clare Lawrence, London, 1982
Literature
Rachelle R. Holden, Rivers and Mountains Far From the World, Hong Kong, 1994, pp. 212-213, no. 90

Lot Essay

For a Yangzhou seal school glass overlay bottle depicting a similar scene of Mifu, see an article by Clare Lawrence entitled 'An Analysis of the Suzhou School of Carving with Specific Comparison to the Yangzhou School,' I.C.S.B.S., Journal, Autumn, 1995, pp. 4-19, fig. 20.
See James C.Y. Watt, Chinese Jades from Han to Qing, New York, 1980, p. 130 for a discussion of the sage Mifu. "Five centuries after his death, Mifu's reputation rose higher than ever. The late Ming literati admired his eccentric elegance and shared his lore for unusual forms, especially in stones. These two aspects of his personality are best expressed in an episode of his life when he made a formal obeisance to a particularly strange and beautiful rock, and he is usually depicted in this act."
Mountain worship has had a long tradition in China. Mountains were seen as cosmic pillars, connecting heaven and earth and thus inherently powerful.

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