A SET OF TEN RECTANGULAR IVORY PANELS DEPICTING SCENES FROM LES MISÈRES ET LES MALHEURS DE LA GUERRE
A SET OF TEN RECTANGULAR IVORY PANELS DEPICTING SCENES FROM LES MISÈRES ET LES MALHEURS DE LA GUERRE

AFTER JACQUES CALLOT, 17TH CENTURY

Details
A SET OF TEN RECTANGULAR IVORY PANELS DEPICTING SCENES FROM LES MISÈRES ET LES MALHEURS DE LA GUERRE
After Jacques Callot, 17th Century
In a later ebonised wood frame; the bottom panel inscribed with the title 'LES/MISERES ET LES/MAL-HEVRS/DE LA GVERRE/Representez Par IACQVES CALLOT/Noble Lorrain/ET mis en lumiere Par ISRAEL/Son amy/A PARIS/1633/Avec Privilege du Roy'; the other panels each bearing a signature and inscribed with narrative; wire for suspension to reverse.
23 in. (59 cm.) high overall
Provenance
Anonymous sale, Christie's London, 15 May 1984, lot 50 (£1800).
Literature
COMPARATIVE LITERATURE:
D. Ternois, L'Art de Jacques Callot, Paris, 1962, pp. 196-199, pls. 52-57.
H. D. Russell, Jacques Callot; Prints & Related Drawings, Washington, 1975, nos. 195-213, pp. 224-262.

Lot Essay

The present ivory plaques depict ten out of the series of eighteen engravings from Jacques Callot's Les Miseres et les Malheurs de la Guerre, published in 1633. Callot had already conceived of the idea of a set of images depicting the horrors of war while working on commissions for Queen Isabella of Spain (to illustrate the Siege of Breda) and for Louis XIII of France. The result was the depiction of the world of 17th century soldiers, objectively documenting their life and illustrating the effect that war - with its images of rape, pillaging and violence - had upon them. The captions were written by Abbé Michel de Marolles (1600-1681) and are in accord with Callot's documentary style.
The series was to be of inspiration to many artists, most notably to Francisco Goya, who in his The Disasters of War (published 1863) depicts many similar themes, though with an impassioned protest far removed from Callot's impartial and unpolitical work.

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