拍品專文
The smith is not recorded but was obviously a member of the Tadayoshi school, perhaps it is the early signature of one of the Masahiro line
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MEI: HIZEN NO KUNI NO JU MINAMOTO MASANORI, EDO PERIOD (18TH/19TH CENTURY)
細節
A FINELY MOUNTED AIKUCHI
Mei: Hizen no kuni no ju Minamoto Masanori, Edo Period (18th/19th century)
The omote with a horimono of Taki Fudo [Fudo in a waterfall] in a panel, the ura with a rendai and gomabashi, ubu nakago, 11¼in. (28.6cm), in its black lacquer saya decorated with dragonflies in gold hiramaki-e, the upper part with cherry blossom in gold hiramaki-e, matching shibuichi ishimeji fuchi-kashira, koiguchi, uragawara, kojiri, kogai and kozuka with dragonflies in gilt and shakudo takazogan, similar kaeritsuno with a gilt futatsu-tomoe mon, large gilt menuki of dragonflies, the tsuka bound with whalebone, 19th century
Mei: Hizen no kuni no ju Minamoto Masanori, Edo Period (18th/19th century)
The omote with a horimono of Taki Fudo [Fudo in a waterfall] in a panel, the ura with a rendai and gomabashi, ubu nakago, 11¼in. (28.6cm), in its black lacquer saya decorated with dragonflies in gold hiramaki-e, the upper part with cherry blossom in gold hiramaki-e, matching shibuichi ishimeji fuchi-kashira, koiguchi, uragawara, kojiri, kogai and kozuka with dragonflies in gilt and shakudo takazogan, similar kaeritsuno with a gilt futatsu-tomoe mon, large gilt menuki of dragonflies, the tsuka bound with whalebone, 19th century
注意事項
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