Joseph Wright of Derby (1734-1797)
Joseph Wright of Derby (1734-1797)

Portrait of Sampson Copestake of Kirk Langley (d.1781), half-length, in a blue velvet uniform; and Portrait of Elizabeth Copestake, half-length, in a blue dress decorated with lace and pearls, in a landscape

Details
Joseph Wright of Derby (1734-1797)
Portrait of Sampson Copestake of Kirk Langley (d.1781), half-length, in a blue velvet uniform; and Portrait of Elizabeth Copestake, half-length, in a blue dress decorated with lace and pearls, in a landscape
oil on canvas
30 x 25 in. (76.2 x 63.5 cm.)
painted circa 1760
in contemporary carved and gilded swept frames (2)
Provenance
William Mitchell, Cairnton House, Banchory.
Anon sale, Sotheby's, London, 13 November 1996, lot 51 (sold £56,500).
Literature
Listed in the artist's account books under 'Sitters of Derby'; 'Mr. Copestake and Miss Copestake £6.6s'
W. Bemrose, The Life and Work of Joseph Wright of Derby ARA, London, 1885, p. 119.
B. Nicholson, Joseph Wright of Derby, Painter of Light, London, 1968, p. 190.

Lot Essay

The sitters were the children of Sampson Copestake (d.1781) of Kirk Langley and his second wife Elizabeth Taylor. Sampson, the younger was born on the 25 March 1726 and died in 1816. His property was inherited by his two sisters, Elizabeth (shown in this portrait) and Anne. Elizabeth married the Rev. James Bingham, Rector of Emperson, Nottingham and Anne married Henry Goodall of Kirk Langley.

These portraits are superb examples of Wright's early work. The influence of Thomas Hudson, the foremost painter of his generation in London, under whom he had trained, is evident, however, Wright has invested the portraits with a new liveliness and lightness which is entirely his own. Wright's mastery of drapery, a talent which on occasion led both Hudson and Allan Ramsay to employ him to finish the drapery in their own pictures, is particularly evident in his portrait of Elizabeth Copestake.

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