A pair of Italian white marble figures, entitled 'Masaniello' and 'Ciociara', on pedestals

BY PROFESSOR AUGUSTE PASSAGLIA, DATED 1885

Details
A pair of Italian white marble figures, entitled 'Masaniello' and 'Ciociara', on pedestals
By Professor Auguste Passaglia, Dated 1885
He as a young fisherboy, with open jacket, rolled up breeches and a net and fish at his side; she wearing an 'embroidered' peasant's costume, holding a tambourine, each on a circular base with title carved to the front and signed and dated Prof. Passaglia 1885; each on a grey and red marble pedestal, with stepped capital, cylindrical column and stepped base
The boy: 37¾ in. (96 cm.) high
The girl: 36¾ in. (93.3 cm.) high
The pedestals: 32 in. (81.3 cm.) high (2)

Lot Essay

Auguste Passaglia (d. 1918) was regarded as one of the finest Italian sculptors of the latter half of the nineteenth century. Commencing his studies in his home town of Lucca, Passaglia later entered the Acedemy of Fine Arts in Florence under the auspices of Giovanni Duprè (d. 1882). Among his best-known works are his monuments to Vittorio Emanuele II in Turin, Venice and Lucca, his statue of Boccaccio in Certaldo and the monumental bronze doors of the Duomo in Florence.

Masaniello (full name Tomaso Aniello) is remembered in Italian history as being the first peasant to lead an insurrection against foreign rulers in Naples, in this case heading the rebellion of 1647 against the heavy tax burden and other legislation imposed by the Spanish viceroy. A common subject among nineteenth century Italian painters and sculptors, Ciociara was the name given to the young peasant-girls of Ciociaria, the rural region of southern Lazio (Latium).

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