THE PROPERTY OF A GENTLEMAN (Lots 5-8)
A PAIR OF GEORGE III MAHOGANY URNS AND PEDESTALS

ATTRIBUTED TO GILLOWS

Details
A PAIR OF GEORGE III MAHOGANY URNS AND PEDESTALS
Attributed to Gillows
Each with a turned metal-lined urn with upspringing stiff-leaf foliage and draped patera frieze, with a concave-stepped and stiff-leaf top with thyrsus finial, on a pinched and turned socle and later square plinth, on a pedestal with moulded rectangular top above a fluted frieze and a shaped panel, one pedestal enclosing a metal-lined interior with two pierced shelves, the other with a drawer above a hinged door enclosing a tambour-fronted cupboard and a lead-lined cellaret, on a moulded plinth, one chalked to the reverse 'H43', the square plinths to the urns replaced and probably originally incorporating taps, minor variations (¼ in.) in height and width, the swagged frieze to the urns probably originally parcel-gilded, restorations
18½ in. (47 cm.) wide; 70 in. (178 cm.) high; 17¾ in. (45 cm.) deep (2)

Lot Essay

In 1788 Gillows designed a vase and pedestal for John Christian of Workington Hall, Cumberland, no. 8012, illustrated in their Estimate Sketch Book, with three drawers enclosed by an oval panelled door, with a reeded frieze above and surmounted by a vase. The design is similar to the above lot, in which one pedestal has a drawer above a cellaret. Prior to this, in 1796, Gillows designed a 'vause [sic] knife-case', which has a similar thyrsus final, with a concave sloping lid and frieze, above a tapering base wrapped with serrated leaves, illustrated in L. Boynton (ed.), Gillow Furniture Designs 1760-1800, Royston, 1995, figs. 188, 192, and p.173. The present lot differs in the shape of the urn lid, which inverts the carved leaf pattern, the swagged frieze, and the lack of guilloche carving on the socle.
A similar pair of urns and pedestals with giltwood finials and attributed to Gillows, was sold anonymously, Sotheby's London, 7 July 1995, lot 103.

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