Details
A GEORGE II MAHOGANY SIDE CHAIR
Circa 1760
The serpentine crestrail with grooved backscrolled eared corners centered by a ruffled shell and acanthus clasp above a pierced vasiform vertical splat, the pale blue chinoiserie-patterned upholstered padded trapezoidal seat on acanthus-carved cabriole legs with claw-and-ball feet, variations to carving of brackets
Provenance
Acquired from W. & J. Sloane Antiques Department, San Francisco, 1970.
Literature
Advertised by Paul Smith of London, The Magazine Antiques, April 1970, p. 494.

Lot Essay

The parlour chair, with 'tassel' back reflects the early eighteenth century fashion for festoon window-curtains reefed with tasselled cords looped around wall-pins. Wrapped by Roman acanthus and serpentined in the French 'picturesque' fashion, it displays a Venus-shell cartouche, above a 'vase' splat. The latter is ribbon-fretted with 'gothic' cusps and typifies the variety of ornament popularised by the St. Martin's Lane cabinet-maker and upholsterer Thomas Chippendale (d.1779), whose designs for 'Household Furniture in the Gothic, Chinese and Modern Taste' featured in The Gentleman and Cabinet-Maker's Director, 1754; and in Household Furniture in the Genteel Taste for the Year 1760, issued by A Society of Upholsterers.
The chair legs terminate in claws, which would generally have followed those of an accompanying 'Roman' marble-topped sideboard-table. Such ornament was inspired by Ovid's 'Metamorphoses', and the claws served to recall Jupiter's sacred eagle, and the History of Jupiter and his Trojan cup-bearer Ganymede.
The same splat pattern features on a related claw-footed parlour chair illustrated in J. Kirk, The American Furniture and the British Tradition to 1830, New York, 1982, fig. 897.
Another set of six chairs with the same back from the collection of Dr. Frank Crozer Knowles, Wynnewood, Pennsylvania, were sold in these Rooms, 22 October 1988, lot 230, and again sold anonymously in these rooms, 20 January 1995, lot 326.

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