A BERLIN ALLEGORICAL TAPESTRY
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A BERLIN ALLEGORICAL TAPESTRY

MID 18TH CENTURY

Details
A BERLIN ALLEGORICAL TAPESTRY
Mid 18th Century
Woven in wools and silks, depicting Summer from a series of the Seasons, and with a putto holding a wheat shaft and sickle, framed by a florally-hung trellis, before an open landscape, lower edge with a later band, glued to a backing
81in. (206cm.) high, 53in. (135cm.) wide
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. This lot, if not cleared by 1pm on the next business day following the sale will be removed to the warehouse of: Cadogan Tate Ltd., Fine Art Services Cadogan House, 2 Relay Road, London W12 7SJ. Tel: 44(0)20 8735 3700. Fax: 44(0)20 8735 3701. Lots will be available for collection following transfer to Cadogan Tate, every week-day from 9am to 5pm. An initial transfer and administration charge of £3.20 (Paintings) or £18.50 (Furniture/Objects) and a storage charge of £1.60 (Paintings) or £ 3.20 (Furniture/Objects) per lot per day will be payable to Cadogan Tate. These charges are subject to VAT and an insurance surcharge. Exceptionally large pictures will be subject to a surcharge.

Lot Essay

A pair of tapestries from the same series, but possibly not the same set, depicting Winter and Spring were sold anonymously in these Rooms, 14 November 1985, lot 225. This series combines elements from two different sets woven by Charles Vigne in Berlin in the mid-17th Century, one being the Italian Comedy which has alsmost identical floral garlands suspended from an architectural frame, while the other, Indianische Blumen, depicts a similar trellis above a courting couple (H. Gobel, Wandteppiche, Leipzig, 1934, part III, vol. II, figs. 62 a+b and 64 b, respectively).

Charles Vigne (d. 1751) joined Jean II Barraband in his private tapestry workshop and succeeded him on his death in 1725. Despite being the only German workshop that supplied clients in other countries, it met with severe financial troubles and Vigne repeatedly had to plea with Fredrick the Great to purchase tapestries. Undeterred Charles Vigne's son, who had the same name, took over the atelier but situation continued to deteriorate and was irrevocably effected by the Seven-Year War that ended in 1763. He finally had to close the workshop in 1787.

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