拍品專文
While the "signature" on the top is probably a later addition, it is a very probable attribution. The part-Indian, part-Persian feel of the present example, together with the vertical format which was popular in the late Safavid period, confirm the probability. (Khalili, Nasser D., Robinson, B.W. and Stanley, Tim: Lacquer of the Islamic Lands, part 1, London 1996, no.28, pp.61-3).