Lot Essay
A PAIR OF CORONELLI GLOBES
Father Vincenzo Maria Coronelli (1650-1718) always claimed that his 110cm. globes of 1688 were the finest he ever printed. They are reduced versions of the great 3.9 metre diameter manuscript globes made for King Louis XIV and presented to him in 1683. Coronelli had already made 1.75 metre manuscript globes for the Duke Ranuccio Farnèse, when Cardinal Cesar d'Estrèes, Ambassador Extraordinary to Louis XIV at the Court of Rome, noticed the globes. he commissioned Coronelli to make a larger pair for the King of France. coronelli moved to Paris for two years from 1681 and had at his disposal the finest craftsmen, and all the latest cartographical information. 'The globes were a remarkable feat of engineering. Each could sustain the weight of thirty men: doors were concealed in their surface to give access to the interior. They became one of the show pieces of Europe'. (Wallis & Pelletier). In 1703 they were installed in the Chateau de Marly in the two specially altered pavilions. In 1715 they were transferred back to the Louvre in Paris and in 1782 were put on show in the Bibliothèque Royale (now the Bibliothèque Nationale). In 1915 they were returned to Versailles in sections, boxed, and packed away in the Orangerie. In 1980 they were restored and put on display at an exhibition held at the Centre George Pompidou in Paris.
There were requests to make a further similar sized pair; however Coronelli does not appear to have undertaken any more. He decided to issue instead a reduced printed 110cm. in diameter which would include all of the cartographical information. Whereas on the large manuscript globes the position of the stars on the celestial was set at 5 September 1638, the day Louis XIV was born, the printed version of 1693 was fixed to the year 1700. 'Coronelli seems to have made every endeavour to produce maps for his terrestrial globes which should omit nothing of real interest and value to geographers, navigators and explorers' (Stevenson). He distributed his printed globes and atlases via a network of subscription societies run under the auspices of the Cosmographical Society of the Argonauts (Cosmografica deglil Argonauti) founded in Venice 1684. This was the world's first geographical society. They were offered in London at £30 for the pair made up. In 1693 the Société Gallica decided to honour Coronelli by reproducing the celestial only for which the Venetian terrestrial gores would be its companion. I.B. Nolin was the draughtsman.
THE EXAMPLES OFFERED
The terrestrial gores were first published in 1688 in Venice. The celestial were published first in Paris by Nolin in 1693, then a new series of plates were engraved for the Venetian edition in 1698. The examples offered here are the Venetian issue, and are one of a very few surviving sets of convex celestial gores. They were almost certainly made without names and magnitudes so that they could be elaborately coloured. These are full size facsimile globes made from the original printed gores from the Libri di Globi first published in Venice, 1697. Manufactured by Greaves & Thomas, the prestigious firm of globe makers, who are 'devoted to producing the finest possible facsimiles of globes that span the history of globe-making' (Sagues). Indeed these are actually very early issues, the evidence being the lack of portrait in the terrestrial, and more subtle clues on the celestial. The latter particularly has been studied by Rudolf Schmidt of the Internationale Coronelli Gesellschaft in Vienna who identified them as a previously unrecorded earlier state. On the terrstrial the following are supplied as facsimile: the two polar caps, the horizon ring, and two gores (both in South America). The celestial is made up with facsimiles of the two polar caps and the horizon ring.
Father Vincenzo Maria Coronelli (1650-1718) always claimed that his 110cm. globes of 1688 were the finest he ever printed. They are reduced versions of the great 3.9 metre diameter manuscript globes made for King Louis XIV and presented to him in 1683. Coronelli had already made 1.75 metre manuscript globes for the Duke Ranuccio Farnèse, when Cardinal Cesar d'Estrèes, Ambassador Extraordinary to Louis XIV at the Court of Rome, noticed the globes. he commissioned Coronelli to make a larger pair for the King of France. coronelli moved to Paris for two years from 1681 and had at his disposal the finest craftsmen, and all the latest cartographical information. 'The globes were a remarkable feat of engineering. Each could sustain the weight of thirty men: doors were concealed in their surface to give access to the interior. They became one of the show pieces of Europe'. (Wallis & Pelletier). In 1703 they were installed in the Chateau de Marly in the two specially altered pavilions. In 1715 they were transferred back to the Louvre in Paris and in 1782 were put on show in the Bibliothèque Royale (now the Bibliothèque Nationale). In 1915 they were returned to Versailles in sections, boxed, and packed away in the Orangerie. In 1980 they were restored and put on display at an exhibition held at the Centre George Pompidou in Paris.
There were requests to make a further similar sized pair; however Coronelli does not appear to have undertaken any more. He decided to issue instead a reduced printed 110cm. in diameter which would include all of the cartographical information. Whereas on the large manuscript globes the position of the stars on the celestial was set at 5 September 1638, the day Louis XIV was born, the printed version of 1693 was fixed to the year 1700. 'Coronelli seems to have made every endeavour to produce maps for his terrestrial globes which should omit nothing of real interest and value to geographers, navigators and explorers' (Stevenson). He distributed his printed globes and atlases via a network of subscription societies run under the auspices of the Cosmographical Society of the Argonauts (Cosmografica deglil Argonauti) founded in Venice 1684. This was the world's first geographical society. They were offered in London at £30 for the pair made up. In 1693 the Société Gallica decided to honour Coronelli by reproducing the celestial only for which the Venetian terrestrial gores would be its companion. I.B. Nolin was the draughtsman.
THE EXAMPLES OFFERED
The terrestrial gores were first published in 1688 in Venice. The celestial were published first in Paris by Nolin in 1693, then a new series of plates were engraved for the Venetian edition in 1698. The examples offered here are the Venetian issue, and are one of a very few surviving sets of convex celestial gores. They were almost certainly made without names and magnitudes so that they could be elaborately coloured. These are full size facsimile globes made from the original printed gores from the Libri di Globi first published in Venice, 1697. Manufactured by Greaves & Thomas, the prestigious firm of globe makers, who are 'devoted to producing the finest possible facsimiles of globes that span the history of globe-making' (Sagues). Indeed these are actually very early issues, the evidence being the lack of portrait in the terrestrial, and more subtle clues on the celestial. The latter particularly has been studied by Rudolf Schmidt of the Internationale Coronelli Gesellschaft in Vienna who identified them as a previously unrecorded earlier state. On the terrstrial the following are supplied as facsimile: the two polar caps, the horizon ring, and two gores (both in South America). The celestial is made up with facsimiles of the two polar caps and the horizon ring.