Lot Essay
For two more examples of almost identical form but different techniques of decoration, see Komatsu Taishu and Iwasaki Hitoshi, Kitsuengu [Smoking utensils] (Nihon no bijutsu [Arts of Japan], vol. 412, pp. 94-5, Tokyo, Shibundo, Sept. 2000). This is one of a range of items in Western shapes, some of them recorded in a set of drawings dated 1856 and preserved in Nagasaki City Museum, that were manufactured for export, not only in Nagasaki but also in Kyoto, during the closing years of the Edo period.1
1 Oliver Impey, 'Sasaya Kisuke, "Nagasaki" lacquer and the woodworker Kiyotomo', Oriental Art, vol. XLIV no. 2 (Summer 1998), pp. 28-32
1 Oliver Impey, 'Sasaya Kisuke, "Nagasaki" lacquer and the woodworker Kiyotomo', Oriental Art, vol. XLIV no. 2 (Summer 1998), pp. 28-32