A LOUIS XVI ORMOLU-MOUNTED PATINATED BRONZE AND MARBLE MANTEL CLOCK
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A LOUIS XVI ORMOLU-MOUNTED PATINATED BRONZE AND MARBLE MANTEL CLOCK

THE MOVEMENT BY JEAN-ANTOINE LEPINE

Details
A LOUIS XVI ORMOLU-MOUNTED PATINATED BRONZE AND MARBLE MANTEL CLOCK
The movement by Jean-Antoine Lepine
The circular white-enamelled Roman and Arabic dial signed 'Lepine h.ger Du Roi PLACE DES VICTOIRES No 12', and with emailleur initials 'G. M', the back of the movement engraved 'Lepine h.er du Roy Paris No 4173', the circular case surmounted by an eagle seated on rose garlands, above a spreading rectangular base centred by a putto with astronomical instruments, flanked to the left by a reclining youth writing on a page and to the right by a seated maiden reading a book, the moulded rounded rectangular panelled plinth centred by two eagle heads and foliates entrelac, flanked by plaques depicting putti and children, on gadrooned toupie feet, the back glazed door with inventory number 'Id17 19op'
19 in. (48 cm.) high; 23¼ in. (59 cm.) wide; 6 in. (15 cm.) deep
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

Jean-Antoine Lepine (1720-1814), moved to Paris circa 1745, and was subsequently made Horloger du Roi with his partner Pierre Raquet.
The design for this clock is inspired by the celebrated drawing executed circa 1785 and attributed to the ciseleur-doreur François Rémond, which is illustrated in H. Ottomeyer P. Pröschel et. al., Vergoldete Bronzen, Munich, 1986, vol. I, p. 295, fig. 4.17.5. The two seated figures derive from models of L'Etude and La Philosophie created for the Sèvres factory by Louis-Simon Boizot in 1780. The marchand-mercier Dominique Daguerre commissioned Rémond to design the clock to incorporate Boizot's figures (C. Baulez, 'La Pendule à la Geoffrin', L'Estampille, 4 (1989), pp. 39-41). In 1788 Daguerre supplied two clocks of this model to Louis XVI for the Château de St. Cloud, which are discussed in P. Verlet, Les Bronzes Dorés Français du XViie Siècle, Paris, 1987, p. 322, fig. 357).

A virtually identical clock, interestingly numbered 'No. 4172', was sold Sotheby's New York, 28 April 1990, lot 104 ($ 33,000). Another closely related example was sold anonymously in these Rooms, 14 December 2000, lot 198 (£28,200).

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