A HUANGHUALI THRONE CHAIR

17TH CENTURY

Details
A HUANGHUALI THRONE CHAIR
17th Century
The elaborately constructed and carved throne comprising two integrated sections, the upper of hexagonal form with a five-sided open armature of posts and stretchers and comprising the high back set with a large reticulated panel carved on both sides with a horned qilin gazing back at the moon below two smaller reticulated panels depicting a deer and a crane, the back flanked by two pairs of stepped sides set with ten reticulated panels carved on the exterior depicting various scenes, including a magpie on prunus branches, a phoenix amidst floral branches and a chi dragon, the back and two inner sides with solid shaped aprons carved with interlocking tendrils, the back with toprail terminating in a pair of dragon-head terminals facing in towards the flaming pearl set at the arcing toprail's crest and the other four sides with raised, straight toprails terminating in dragon's heads facing forward, the front pair of terminals surmounting the extended corner posts common to the upper and lower sections of the throne and carved in relief with lingzhi fungus, chrysanthemum, peony, lotus and prunus blossoms; the lower section of rectangular form, set above the seat area with side panels, each carved with a duck upon a lotus pond, and below the seat area with three openwork panels on the front and sides, decorated with striding dragons, qilins and scrolling lotus, all above curvilinear aprons with scrolling tendrils, resting upon a base frame, the corners and edges reinforced with metal mounts
50in. (127cm.) high, 20¾in. (52.7cm.) wide, 21½in. (54.6cm.) deep
Literature
Curtis Evarts, ''Classical Chinese Furniture in the Piccus Collection'', JCCFS, Autumn 1992, p. 6, fig. 3 and p. 7, fig. 3a
Robert P. Piccus, ''Chinese Furniture in Hong Kong'', Orientations, January 1993, p. 59, fig. 3
Further details
END OF SALE

Lot Essay

Carved throne chairs are still used to carry Buddhist or Daoist deities during religious ceremonies. See the throne chair used to carry the Tin Hau goddess at the Tin Hau at High Island, Sai Kung, Hong Kong, illustrated in an article by Patricia Young, South China Morning Post, Hong Kong, October 18, 1994, p. 3. A similar example is depicted in a series of paintings by the Qianlong period court painter, Yao Wenhan, called the ''Eighteen Lohans'', illustrated by Ge Wanzhang, ''Introduction to the Deities of Tibetan Lamaism'', The National Palace Museum Monthly of Chinese Art, no. 47, p. 124. The presence of dragons lend the chair a throne-like status while the ducks, lotus and qilin suggest the chair was used during wedding ceremonies

Compare the related mirror stand with dragons and openwork in a similar style from the Museum of Classical Chinese Furniture, sold in these rooms Septemeber 19, 1996, lot 56. See, also, the mirror stand in the Honolulu Academy of Arts illustrated by Robert Ellsworth in Chinese Hardwood Furniture in Hawaiian Collections, p. 64, no. 46. Another was included in the exhibition of the the Dr. S. Y. Yip Collection of Classic Chinese Furniture, and illustrated by Grace Wu Bruce in the Catalogue, pp. 160-161, no. 67