AN EDO NODA KATANA

Details
AN EDO NODA KATANA
EDO PERIOD (CIRCA 1630), SIGNED HANKEI

Configuration (sugata): with longitudinal ridge line (shinogi-zukuri), tri-bevelled back (mitsu-mune) and medium point (chu-kissaki); length (nagasa): 2 shaku, 3 sun, 1 bu (69.9cm.); curvature (sori): koshi-zori of 1.2cm.; increase in width of blade (fumbari): 0.8cm.
Forging pattern (jihada): strong wood grain (itame).
Tempering pattern (hamon): notare with particularly strong 'swept sands' (sunagashi) pattern and kinsuji running in and below the hamon, increasing in frequency approaching the monouchi; the overall patterns highlighted by scattered 'legs' (ashi).
Point (boshi): midare-komi and flame-brushed tip (hakikake).
Tang (nakago). Shape (keitai): regular and unshortened (ubu) with a soft, moist-looking patina; file marks (yasurime): o-sujikai; on the outside slanting top left/bottom right and on the inside top right/bottom left, forming a V when seen in oshigata; end (nakagojiri): rounded (kurijiri) starting on the back (mune) and continuing to the blade (ha) side, being very slightly bevelled in this area only and the tip being slightly flattened; holes (mekugi-ana): one; signature (katanamei): Hankei.

Shirasaya with attestation by Shimizu, dated Taisho 4 (1915).

Uchigatana-koshirae comprising: a spirally-ribbed maroon saya, mounted with a silver omeshi-kojiri carved in relief with flowering kiri, signed Homei Koho Isso kore-o saku; the tsuka mounted with shakudo and gilt menuki formed as fighting cocks and a silver fuchi-kashira decorated en suite to the kojiri; a rounded square tsuba bearing a slightly raised lip and decorated in low relief and gilt nunome zogan with ho-o birds and kiri on brocade designs, unsigned, Awa Shoami kenjo style, circa 1800; a silver wari-kogai engraved in katakiribori with ho-o in flight, signed Isso saku.-- Length of koshirae 97.5cm.; length of tsuka 23.1cm.; tsuba height 7.9cm., width 7.2cm., thickness 8 mm.; length of wari-kogai 15.8cm. Chips and cracks to the saya.

Wood storage box. Brocade and silk storage bags.

Accompanied by a juyo token certificate issued by the N.B.T.H.K., dated Showa 43 (1968); and a tokubetsu kicho koshirae certificate issued by the N.B.T.H.K., no. 0007, dated 1972.
Provenance
Ando family, daimyo of Tanabe, Kishu and ministers to the Tokugawa shogunate
Literature
Juyo token to zufu, vol. 17.
Compton, Homma, Sato and Ogawa (1976), no.
One Hundred Masterpieces (1992), no. 40.
Exhibited
Compton, Homma, Sato and Ogawa (1976), no.

Lot Essay

Hankei, also known as Kiyotaka, was a gunsmith during the first quarter of the 17th Century. His early signatures were Nihon zen Kiyotaka, Hankei and Ono Hankei. His style was based on the works of Etchu Norishige. He is known for producing blades with a shallow curvature and a wide, Soshu-style hamon with o-itame forging and o-midare tempering patterns having prominent nie and (as in this example) extensive sunagashi and kinsuji.

The prow-form jiri in Hankei's work was usually slightly bevelled underneath. The small flattened point at the end of the jiri also appears in all of the Hankei blades which are accepted as genuine.

Isso saku, of the Kanahara family, was born in Kishu in 1834, and was a student of Goto Ichijo in 1851. He became a retainer of the Kishu Tokugawa family, and lived in Osaka in his later life (date of death unknown).