細節
A HIZEN TADAYOSHI TACHI
EDO PERIOD (EARLY 19TH CENTURY), SIGNED HIZEN [NO] KUNI YOSHIMUNE
Configuration (sugata): with longitudinal ridge line (shinogi-zukuri), shallow peaked back (iori-mune) and large point (o-kissaki); length (nagasa): 2 shaku, 3 sun, 3 bu; curvature (sori): koshi-zori of 2.0cm.; increase in width of blade (fumbari): 1.0cm.
Forging pattern (jihada): 'pear-skin' (nashiji).
Tempering pattern (hamon): chu-suguba.
Point (boshi): small and rounded (ko-maru) with long kaeri.
Tang (nakago). Shape (keitai): slender, tapering, unshortened (ubu) and with a dry, brown patina; file marks (yasurime): new (kiri-yasuri); end (nakagojiri): rounded (kurijiri); holes (mekugi-ana): one; signature (tachimei): Hizen [no] Kuni Yoshimune.
Accompanied by a certificate signed Fujishiro Matsuo.
EDO PERIOD (EARLY 19TH CENTURY), SIGNED HIZEN [NO] KUNI YOSHIMUNE
Configuration (sugata): with longitudinal ridge line (shinogi-zukuri), shallow peaked back (iori-mune) and large point (o-kissaki); length (nagasa): 2 shaku, 3 sun, 3 bu; curvature (sori): koshi-zori of 2.0cm.; increase in width of blade (fumbari): 1.0cm.
Forging pattern (jihada): 'pear-skin' (nashiji).
Tempering pattern (hamon): chu-suguba.
Point (boshi): small and rounded (ko-maru) with long kaeri.
Tang (nakago). Shape (keitai): slender, tapering, unshortened (ubu) and with a dry, brown patina; file marks (yasurime): new (kiri-yasuri); end (nakagojiri): rounded (kurijiri); holes (mekugi-ana): one; signature (tachimei): Hizen [no] Kuni Yoshimune.
Accompanied by a certificate signed Fujishiro Matsuo.
來源
Joseph U. Seo, New York