Details
A BITCHU AOE TACHI
NAMBOKUCHO PERIOD, DATED JOWA 3 (1347), SIGNED BITCHU (NO) KUNI (NO) JU TSUGUNAO SAKU

Configuration (sugata): with longitudinal ridge line (shinogi-zukuri), rounded back (maru-mune), and short, medium point (chu-kissaki); length (nagasa): 2 shaku, 9 sun, 6 bu (89.8cm.); curvature (sori): exceptionally strong koshi-zori of 3.8cm.; increase in width of blade (fumbari): 1.2 cm.; carving (horimono): maru-dome bo-hi on either side.
Forging pattern (jihada): very fine-grain wood pattern (koitame) mixed with burl (mokume), a pattern typical of many of the Aoe swordsmiths (kaji); together with remarkably silvery reflections along the grooves (bo-utsuri), jifu and soft areas of darker steel (sumi-hada), again a typically Aoe characteristic.
Tempering pattern (hamon): medium width suguba in ko-nie with a few scattered 'legs' (ashi) in nioi.
Point (boshi): medium round (chu-maru) brushed tip (hakikake).
Tang (nakago). Shape (keitai): long (23.7cm.), slightly curving, ubu and with a moist, brown patina; file marks (yasurime): slanted (katte-sagari); end (nakagojiri): rounded (kuri-jiri); holes (mekugi-ana): two; signature (tachimei): Bitchu (no) Kuni (no) ju Tsugunao saku; date (jidai): Jowa 3-nen 11-gatsu hi (a day in the 11th month of Jowa 3 [1347]).

Shirasaya with attestation by Sato Kanzan.

Silk storage bag.

Accompanied by a juyo token certificate, no. 5051, Showa 50 (1975), ÿssued by the N.B.T.H.K.
Provenance
Matsudaira family, daimyo of Maebashi, Gunma (purported)
Literature
N.B.T.H.K., Juyo token to zufu, vol. 23.
Compton, Homma, Sato and Ogawa (1976), no. 27.

Lot Essay

This blade is important because it is not only fully intact, but also signed and dated on the outside of the blade, a combination known as a kaikudashimei. Tsugunao is considered to be the foremost Aoe smith of the Nambokucho period. This is one of the longest of his remaining daito. The longest is a 90.9cm. katana belonging to the Tokugawa Reimeikai Foundation.

The early period Aoe tradition, or school (Ko Aoe-den) was founded by Yasutsugu at the beginning of the 12th century and continued until the middle of the 13th century. The blades were of a pronounced koshi-zori; the most outstanding characteristic of the Aoe blades was the pattern of the steel itself, normally a mixture of small wood grain and burl, a pattern known as chirimen, resembling crepe silk. The Aoe kaji also produced a second, coarse surface said to resemble the skin of catfish and known as namazu-hada. The tempering pattern was typically straight, frequently with 'legs' and sometimes with some small clove or irregular patterns.

The middle period Aoe (Chu-Aoe) tradition lasted until about 1370 and was influenced by the nearby Katayama Ichimonji. The shape changed very little, but the surface showed more of a fine-grained wood pattern intermixed with sumi-hada, as in this example. The tempering pattern remained straight, but became more Ichimonji in style with the introduction of sharply slanting 'legs' and irregular clove patterns.

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