SWISS. AN EXTREMELY RARE AND MAGNIFICENT PAIR OF 18 carat GOLD, ENAMEL AND PEARL-SET PISTOL-FORM PERFUME SPRINKLERS WITH WATCHES, TOGETHER WITH MATCHING KEYS MADE FOR THE CHINESE MARKET

Details
SWISS. AN EXTREMELY RARE AND MAGNIFICENT PAIR OF 18 carat GOLD, ENAMEL AND PEARL-SET PISTOL-FORM PERFUME SPRINKLERS WITH WATCHES, TOGETHER WITH MATCHING KEYS MADE FOR THE CHINESE MARKET
unsigned possibly Moulinié et Bautte or Bautte et Moynier, circa 1810

the gilt brass cylinder movement with plain gilt brass balance, steel end piece, the white enamel dial with Breguet numerals all concealed beneath the rounded part at the end of the burr, the covers being in scarlet translucent enamel over engine turning, set with split pearls around the edge with secret aperture to open the watch, the reverse similary decorated and revealing the movement.
The grip of translucent scarlet enamel over engine-turning and set with split pearls around the edge, centred by gold plates chased with a dog on one side and a stag on the reverse, each plate framed by split pearls, the barrel with blue enamel and decorated with paillonne and laurel foliage all simulating damascene works; the perfume is spread through the pistils of a gold and enamel tulip flower with enamel petals which is shot out of the barrel, released by the percussion of the hammer when the trigger is depressed, together with two original gold and enamel keys of similar shape as the pistols- 110mm long when closed (2)
Literature
A similar watch is published in P.F. Schneeberger, Collection Hans Wilsdorf, Geneva, 1970, p. 51

Another example is in the Musée de l'Horlogerie et de l'Emaillerie, from the collection of M. and E. M. Sandoz and is illustrated in C. Cardinal, La Montre des origines au XIX siècle, Fribourg, 1985, p. 205, as well as in M. and E. M. Sandoz, Collections Montres Automates, Le Locle, n. d., p. 177

A further example is published in G. Daniels and O. Markarian, Watches & Clocks in the Sir David Salomons Collection, Tel Aviv, 1980, p. 154

And another similar piece is illustrated in O. Patrizzi and F. Sturm, Montres de Fantaisie, Geneva, 1979, dust cover page and pl. 26

Further details
END OF SALE

Lot Essay

The fine workmanship of these two examples show a certain similarity to the two barrel pistols and even though these examples have only one barrel the pistols could probably have been produced in the same workshop as the two barrels singing bird watches.

The possibility that the present two pistols are produced by either of the associations that J.F. Bautte had is quite strong.

Jean François Bautte (1772-1837) was not a watchmaker but was a born merchant and a very renowned manufacturer and merchant having several associations.
Working his way up from a messenger-boy to a partner with the case-maker Moulinié, the Company Moulinié, Bautte existed for nine years starting in 1793.
In 1804 they were joined by the watch-maker and merchant Jean Gabriel Moynier and the Company was called Moulinié, Bautte & Cie before being renamed Moulinié, Bautte and Moynier until the mid-20s when Bautte changed his associations again and continued to do so several times more.

It is very exciting and rare to see such fine and beautiful examples of workmanship but also only seldom can one find a pair of pistols of this kind.
The Chinese began buying watches in pairs because, as the European merchants would advise, these were delicate objects which would inevitably require attention and, should one have to be returned to Europe for repair, there would still be the other watch or pistol to use while the first was being restored. This was certainly an ingenious commercial approach on the part of the European merchants but, nonetheless, this would not have been sufficient to influence the Chinese client, as above all the main reason for this trend will remain the refined taste of the Chinese for symmetry and the wish to exhibit in their homes the symmetrically opposed motifs of these objects. It is also well known that most presents to the Emperor were given as a pair and often with a "vis-à-vis" design or motif.

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