Lot Essay
This figure is exquisitely carved from a rare yellow phyllite stone possibly originating from Yunnan, southwest China, of dense textureless quality allowing for intricate detail. Few other Pala period sculptures carved from this highly prized stone exist and they are generally of small size (less than 5 in. high) and intended as votive or meditational images. Of mature Pala period style, the regional attribution is often debated, but a number of the published examples bear Tibetan inscriptions or incorporate distinct Tibetan elements such as a lama portrait, while there is practically no archeological evidence in India itself; cf. a Tara stele in the Herbert an Florence Irving Collection, see M. Rhie and R. Thurman, Wisdom and Compassion, 1996, cat. no. 22; S. Huntington and J. Huntington, Leaves from the Bodhi Tree: The Art of Pala India (8th-12th centuries) and Its International Legacy, 1990, cat. nos. 127-130, and pp. 359-60 for a discussion.