AN IZNIK POTTERY DISH

細節
AN IZNIK POTTERY DISH
TURKEY, CIRCA 1580

With narrow sloping rim on short foot, the interior painted with a red slip ground around the depiction of a prunus blossom tree rising from a spray of tulips, in a narrow border of linked roundels, the upper cavetto plain, the rim with alternating highly stylised groups of three tulips alternating with blue roundels again on a red ground, the reverse with a band of paired blue tulips alternating with green and blue rosettes between blue stripe borders, hair cracks, rim chips, slight chips to bole-red ground
13¼in. (33.7cm.) diam.
來源
Sulzbach Collection
Adda Collection,
Private Collection, England
出版
Catalogus, Tentoonstelling van Islamische Kunst, The Hague, 1927, no.238
Rackham, Bernard: Islamic Pottery and Islamic Maiolica, London, 1959, no.151, p.39 and col.pl.II
Collection d'un Grand Amateur, sale catalogue of the Adda Collection, Palais Galliera, Paris, 3 December 1965, lot 913 (ill.)
Atasoy, Nurhan and Raby, Julian.: Iznik, The Pottery of Ottoman Turkey, London, 1989, pl.507
展覽
Tentoonstelling van Islamische Kunst, Gemeente Museum, The Hague, 1927

拍品專文

The motif of a prunus blossom tree with tulips growing from a group of serrated leaves at its base is found on tilework of the first half of the 16th century (Folsach, K.v.:Islamic Art - The David Collection, Copenhagen, 1990, no.182, pp.124-5). With the introduction of the 'Rhodian' palette, examples were made that placed the group on green and red grounds as well as the blue that was already known. Dating is given by two tiles which use a red ground; the first in the Selimye Mosque in Edirne, dates from 1571, while a poorer example is found in the mosque of Takkeci Ibrahim Agha of 1591.

Within the dishes, two distinct cartoons are found. One has two tulips while the other, as here, has five. All the dishes have the narrow rim, typical of the period of Murad II found here. The use of cartoons in the designs of dishes as well as tilework is well attested throughout the century (Denny, Walter, 'Turkish Ceramics and Turkish Painting' in Essays in Islamic Art and Architecture in Honour of Katharina Otto-Dorn, 1981, pp.29-35). Originally these cartoons were prepared by the imperial nakkasshane, but by the time these dishes were produced it seems more probable that they were produced locally; the style is more that of the potters as shown on other pieces of the period. Two published examples, in addition to the present lot, survive whose design comes from the same cartoon. One, with a red ground, was sold at Sotheby's New York, 30 May 1986, lot 111, while the other is in the Calouste Gulbenkian Foundation Museum, Lisbon. The present lot has the clearest drawing of the three and also a notably orange tint to the red ground colour. Both of these factors indicate it is the earliest of the group to have been made.