THO: TOMPION, LONDON: A CHARLES II EBONY AND GILT BRONZE MOUNTED ROMAN STRIKING MONTH GOING LONGCASE CLOCK

Details
THO: TOMPION, LONDON: A CHARLES II EBONY AND GILT BRONZE MOUNTED ROMAN STRIKING MONTH GOING LONGCASE CLOCK
circa 1675, unnumbered
The convex moulded case with plinth on giltmetal bun feet, the rectangular trunk door with three raised panels, brass framed oval lenticle, eagle head escutcheon and strapwork and acanthus spandrels, similar raised panels to the sides, cast and chased ormolu fruiting swag to the moulding below the rising hood with spoon-and-clip, applied Doric columns, similar fruiting swags to front and sides beneath the heavy acanthus frieze, the angles applied with winged figures, the shallow domed top with five ball finials, the 10in square dial signed Tho: Tompion Londini fecit in a tablet to the base interrupting the acanthus engraved border, skeletonised chapter ring with fleur de lys half-hour divisions, subisidary seconds ring and calendar aperture to the matted centre, typical blued steel hands, winged cherub spandrels, latches to the dial feet and six ringed pillar movement with anchor escapement, calibrated pendulum with silvered rating nut, outside countwheel for the Roman notation strike on two bells and half-hour strike on a third, bolt-and-shutter maintaining power, the movement secured with spurs through base pillars and bracket to backboard
6ft.7in. (200.5cm.) high
Provenance
Stanley Exshaw Esq.
Bought from Partridge, 13 November 1960, (5400
Literature
P G Dawson, C R Drover & D W Parkes, Early English Clocks, 1982, pl.270, 370, 371 and 372, pp.202, 272 and 273

Lot Essay

Thomas Tompion, London; see biographical notes lot 29
As is well known, Tompion established himself quickly in London and soon developed his own particular style of clockmaking. R A Lee, however, has made the observation that in the first few years after Tompion's arrival in London and before he began his numbering system, he produced a number of clocks in a decidedly Knibb style which shows, if not actual collaboration between the two makers, a strong influence at work on the younger Tompion. The present clock would appear to be a case in point, since the system of Roman striking was invented by Knibb and the dial is typically Knibbish with its skeletonised chaper ring. In fact, this clock is very similar to a Joseph Knibb month going Roman striking ebony longcase of circa 1678 (vide R A Lee, The Knibb Family, Clockmakers, pl.19 & 43) with the same swag mount above the dial. Knibb used this mount on a number of clocks around this date, whereas Tompion's only other use of it contemporary with the present clock is on the astrolabe clock in the Fitzwilliam Museum, Cambridge. He did use it later, circa 1700, for the Drayton year going equation clock and a grande sonnerie walnut longcase, No.131. The fine double swag mount betwen the hood and trunk is confined to this clock and Knibb's walnut longcase made for the Duke of Lauderdale at Ham House. The Drayton clock and the Lauderdale clock also have a gilt frieze with the same corner cupids as the giltmetal frieze to the present clock

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