A LARGE GOLD, SILVER AND COPPER INLAID BRASS CIRCULAR TRAY ON SIMILAR STAND, the tray with small raised rim, the central roundel filled with scrolling copper and silver arabesques around copper panels with silver inscriptions, the central silver panels with a gold interlace, flanked by three similar roundels interrupting a bold copper-outlined silver thuluth inscription, narrow outer arabeqsue border, the rim with similar arabesques alternating with inscription cartouches, the folding base with six legs inlaid in silver and copper with spiralling and straight panels of arabesque and interlace, late 19th century (excellent condition)

細節

A LARGE GOLD, SILVER AND COPPER INLAID BRASS CIRCULAR TRAY ON SIMILAR STAND, the tray with small raised rim, the central roundel filled with scrolling copper and silver arabesques around copper panels with silver inscriptions, the central silver panels with a gold interlace, flanked by three similar roundels interrupting a bold copper-outlined silver thuluth inscription, narrow outer arabeqsue border, the rim with similar arabesques alternating with inscription cartouches, the folding base with six legs inlaid in silver and copper with spiralling and straight panels of arabesque and interlace, late 19th century (excellent condition)
tray 28½in. (72cm.) diam.
stand 26in. (68cm.) high

拍品專文

An example of the very best work ever produced in the so-called Mamluk revival workshops at the turn of the century.