A PAIR OF XIV BRONZE SCULPTURES, one with The Rape of Proserpine by Pluto after François Girardon, the other with The Rape of Orithyia by Boreas after Gaspard Marsy and Anselme Flamen, each on an ormolu naturalistic square base and square plinth, mounted with bacchic masks, with scrolled angles on scrolled acanthus-cast feet, the plinths each struck twice with the C-couronné poinçon

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A PAIR OF XIV BRONZE SCULPTURES, one with The Rape of Proserpine by Pluto after François Girardon, the other with The Rape of Orithyia by Boreas after Gaspard Marsy and Anselme Flamen, each on an ormolu naturalistic square base and square plinth, mounted with bacchic masks, with scrolled angles on scrolled acanthus-cast feet, the plinths each struck twice with the C-couronné poinçon
28in. (71cm.) high (2)

Lot Essay

The original marble versions of these two groups were commissioned in 1674 by Colbert for the Parterre d'eau in the Park of Versailles. It was intended that there be four groups after designs by Le Brun, each representing an element, the Girardon group representing Fire, the Marsy and Flamen group Air. The marble original of the Rape of Proserpine is in the Orangerie, Versailles, and Boreas and Orithyia is in the Louvre.

A pair of bronze sculptures of the same groups in the Wallace Collection are illustrated J. Mann, Sculpture, London, 1931, S169 and S170, pl.50

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