A LARGE FRENCH LIMESTONE GROUP OF THE VIRGIN AND CHILD, the Virgin standing crowned, holding the Christ Child within Her left arm, Christ holding a dove by the wings (very heavily restored; the Virgin's head reattached; restoration to Her right wrist and fingers lacking; bird damaged; base chipped; numerous minor chips), in 14th Century style

Details
A LARGE FRENCH LIMESTONE GROUP OF THE VIRGIN AND CHILD, the Virgin standing crowned, holding the Christ Child within Her left arm, Christ holding a dove by the wings (very heavily restored; the Virgin's head reattached; restoration to Her right wrist and fingers lacking; bird damaged; base chipped; numerous minor chips), in 14th Century style
70in. (177.8cm.) high
Provenance
Manzi Collection, sold Galerie Manzi, Joyant & Cie., Paris, 15-16th December, 1919, lot 303
Ercole Canessa, New York
New York, Parke Bernet Galleries, Inc., Norton Simon Foundation, 7th-8th May 1971, lot 110
Literature
Paris, Les Collections Manzi, Les Arts, 1919, no. 177, pp.9-10

COMPARATIVE LITERATURE
Lille, Musée des Beaux Arts, Sculptures Romanes et Gothiques du Nord de la France, 1978, no. 66
Paris, Galeries Nationales du Grand Palais, Les Fastes du Gothique: Le siècle de Charles V, 1981, no. 6
P. Williamson, Medieval Sculpture and Works of Art, The Thyssen-Bornemisza Collection, London, 1987, no. 6
Exhibited
Los Angeles County Museum, 1965-1971, as French Gothic Style

Lot Essay

The present Virgin and Child is stylistically puzzling. Whilst certain elements in the carving are quite clearly 19th Century, such as her head and the carving on her chest, centred by a lozenge-shaped jewel but otherwise remarkably flatly carved, the drapery on her lower left side is much more convincing.
Recent revision and restoration by some museums of gothic sculpture acquired at the turn of the century has revealed that hitherto accepted sculptures had a much higher degree of restoration than previously believed, and that some were rebuilt around an authentic fragmentary torso. Thus the present group of the Virgin and Child could possibly have been 'restored' in the late 19th or early 20th Century around an authentic early 14th Century fragment, so resulting in the somewhat confusing style.

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