拍品專文
BIBLIOGRAPHY:
Beazley, ARV2, 509, in which he notes that the palmettes are close to those on the Painter of Florence Stamnoi; S. Kaempf-Dimitriadou, Die Liebe der Götter in der attischen Kunst des 5 Jhr v. Chr., Antike Kunst, Beiheft 11, 1979, 89, no. 31; C. Weiss, LIMC, III, 765, no. 140.
Eos was the goddess of the dawn, daugher of Hyperion and Thia or Euyphassa (or of Pallas according to Ovid). Every morning at dawn she rose from the couch of her lover, Tithonos, and saffron-robed in a purple chariot drawn by swift horses, ascended up to heaven from the Ocean to announce the coming light of the sun. She carried off several youths distinguished for their beauty such as Orion, Kephalos and Tithonos, by the last of whom she bore a son, Memnon
Beazley, ARV2, 509, in which he notes that the palmettes are close to those on the Painter of Florence Stamnoi; S. Kaempf-Dimitriadou, Die Liebe der Götter in der attischen Kunst des 5 Jhr v. Chr., Antike Kunst, Beiheft 11, 1979, 89, no. 31; C. Weiss, LIMC, III, 765, no. 140.
Eos was the goddess of the dawn, daugher of Hyperion and Thia or Euyphassa (or of Pallas according to Ovid). Every morning at dawn she rose from the couch of her lover, Tithonos, and saffron-robed in a purple chariot drawn by swift horses, ascended up to heaven from the Ocean to announce the coming light of the sun. She carried off several youths distinguished for their beauty such as Orion, Kephalos and Tithonos, by the last of whom she bore a son, Memnon