Various Properties
Aimé Jacob No.17: An important Louis Philippe mahogany six-month going longcase regulateur, the case in a Gothic taste with out-set ebonised base, the plinth centred with a recessed quatrafoil moulding, the trunk with arched glazed sides flanked by cluster columns with foliate carved capitals, the door with secret release-catch in the side and with trefoil molding to the arch top with rock crystal spandrels, pendant Gothic frieze to the stepped top, gilt moulded bezel to the 10 3/4in. diam. silvered dial signed Ame. Jacob with painted Roman chapters, power reserve sector above VI inscribed Marche 6 mois 0-6, finely pierced and shaped blued hands with counter poised sweep centre seconds, the movement with 4 conical double-screwed pillars, the high count train with maintaining power, anchor escapement planted on the backplate and with adjustable steel pallets, crutch piece with fine adjustment to the highly elaborate compensated pendulum suspended from the movement bracket with steel knife-edge suspension with twin locking screws, the pendulum of steel and alloy composition with massive chamfered bob centred with fine adjustment nut, the shaft flanked by chamfered steel bars and with central locking nut with blued steel arrow-head pointer, the gilt cover above sliding against an inset brass scale calibrated 0-36, the flattened rectangular lead weight sliding at the back of the case with wires line run over brass pulleys inside the top running to the barrel with unusual ratchet winding wheel planted on the front plate, the movement seated on a massive gilt bracket and secured through the base pillars with elaborate foliate cast bolts, the backplate and bracket stamped souscription Aimé Jacob No.17 7ft.1in. (216cm.) high

Details
Aimé Jacob No.17: An important Louis Philippe mahogany six-month going longcase regulateur, the case in a Gothic taste with out-set ebonised base, the plinth centred with a recessed quatrafoil moulding, the trunk with arched glazed sides flanked by cluster columns with foliate carved capitals, the door with secret release-catch in the side and with trefoil molding to the arch top with rock crystal spandrels, pendant Gothic frieze to the stepped top, gilt moulded bezel to the 10 3/4in. diam. silvered dial signed Ame. Jacob with painted Roman chapters, power reserve sector above VI inscribed Marche 6 mois 0-6, finely pierced and shaped blued hands with counter poised sweep centre seconds, the movement with 4 conical double-screwed pillars, the high count train with maintaining power, anchor escapement planted on the backplate and with adjustable steel pallets, crutch piece with fine adjustment to the highly elaborate compensated pendulum suspended from the movement bracket with steel knife-edge suspension with twin locking screws, the pendulum of steel and alloy composition with massive chamfered bob centred with fine adjustment nut, the shaft flanked by chamfered steel bars and with central locking nut with blued steel arrow-head pointer, the gilt cover above sliding against an inset brass scale calibrated 0-36, the flattened rectangular lead weight sliding at the back of the case with wires line run over brass pulleys inside the top running to the barrel with unusual ratchet winding wheel planted on the front plate, the movement seated on a massive gilt bracket and secured through the base pillars with elaborate foliate cast bolts, the backplate and bracket stamped souscription Aimé Jacob No.17
7ft.1in. (216cm.) high
Literature
COMPARATIVE LITERATURE
Tardy, French Clocks the World over, Paris, 1981, part II, p. 345, Charles Allix, Carriage Clocks, their history and development, Woodbridge, 1974, p. 42
Tardy, Dictionaire des Horlogers Francais, Paris, p. 319
P.M. Chamberlain, It's about Time, London, 1978, pp. 363, 432
George Daniels, The Art of Breguet, London, 1974, pp. 82-4, 98, col. pl. VI

Lot Essay

Jean-Aimé Jacob was born circa 1793 and died in 1871. He is attributed with making high quality chronometers and regulators but precious little has been recorded about his work. He is purported to have been a pupil of Breguet's which would go a long way to explain the similarity of his work and that produced by Maison Breguet.
He founded a workshop in St. Nicholas d'Aliermont near Dieppe which was fast becomming the center of French carriage clock making. His associations with the Breguet workshops apparently continued for he is recorded in their records as having made certain parts for carriage clock No. 3050 in 1821, see C. Allix op. cit. and presumably he continued to make others for them. P. M. Chamberlain p. cit., mentions Jacob 'whose clocks are famous' and the influence of Breguet on his work.
The most remarkable features of the clock are the pendulum and the escapement. Both are obviously out of the Breguet mould. The pendulum bob bears a certain similarity to the double regulator No. 3671 op. cit made for George IV at a cost of *1,000 and delivered in 1825 but there the similarity ends because the methods of compensation could not be more different. Tardy op. cit illustrates a clock by Jacob with a compensated pendulum but of a more conventional type and almost certainly 20 years earlier in date.
The escapement, though not exceptional in complexity, is almost identical to others used in regulators by Breguet right down to the twin steady-pin setting for the crutch-piece connection, see Tardy op. cit. p. 343

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