拍品專文
When Williamson catalogued this fine miniature in 1906 not only did he identify the sitter as the notorious Gabrielle d'Estrées (1573-1599), mistress of Henry IV of France, and the artist as Nicholas Hilliard, but he suggested that the initial S with bar was a rebus upon the word Largesse or Sagesse.
The smile playing about the mouth of this attractive sitter probably led to the suggestion of Gabrielle d'Estrées, who had a pointed chin to her heart-shaped face. The attribution to Hilliard is understandable as he appears to have experimented with a style close to that of his pupil and later rival, Isaac Oliver, at the end of the 16th Century. Graham Reynolds unravelled many such misattributions in his catalogue Nicholas Hilliard and Isaac Oliver (London, 1971)
The smile playing about the mouth of this attractive sitter probably led to the suggestion of Gabrielle d'Estrées, who had a pointed chin to her heart-shaped face. The attribution to Hilliard is understandable as he appears to have experimented with a style close to that of his pupil and later rival, Isaac Oliver, at the end of the 16th Century. Graham Reynolds unravelled many such misattributions in his catalogue Nicholas Hilliard and Isaac Oliver (London, 1971)