ARCHAEOLOGICAL ART FROM EARLY CHINA (LOTS 152 - 169) CERAMICS AND BRONZES FROM THE EARLY CULTURES
A NEOLITHIC WHITE POTTERY TRIPOD EWER, KUI

DAWENKOU CULTURE, 4TH MILLENIUM BC

細節
A NEOLITHIC WHITE POTTERY TRIPOD EWER, KUI
dawenkou culture, 4th millenium bc
The thinly-potted globular body shaped with three hollow mammiform feet below a raised rope-band below the shoulder supporting the arched twisted-strap handle, the angled cylindrical neck with a wide flaring rim pinched at one side and extended to a long open spout, museum-style repairs
12in. (30.5cm.) high

拍品專文

The kui is a characteristic vessel type in the Dawenkou and Longshan cultural remains. Most examples have the horizontal 'rope twist' band across the widest point of the vessel, but the twisted handle on the present lot appears to be extremely rare. One such example, with a twisted handle excavated at Liangchengzhen, Rizhao Xian, Shandong province, is in the Metropolitan Museum, illustrated by Suzanne G. Valenstein, A Handbook of Chinese Ceramics, fig. 14, p.15. Kui with the more usual arched strap handles, which were made in grey, white or red pottery, were exhibited, Chinese Ceramic Collection Through the Age, National Museum of History, Taibei, 1997 Special Exhibition, Catalogue, no. 13, p.22; and in Ancient Chinese Ceramics from The Neolithic Period to the Western Han, Part II, Uragami Sokyu-do Co. Ltd., 1994, Catalogue, nos. 31-40, pp.32-36 and in colour on pp.6 and 7. See also the example sold in our New York Rooms, 3 June 1993, lot 152.