拍品專文
The design in the field of this rug is particularly clearly drawn. A similar sized rug with a later, less clearly delineated version of this design was included in the Davide Halevim sale in these Rooms, 14 February 2001, lot 28. As Burns notes in his caption to the present piece, the yellow ground is expensive to produce, particularly on this scale. It must have been a specific commission, with the two figures in the lower medallion having a special symbolism. Two smaller rugs have the same design on a white field, both on the German market some time ago (Hali 57, p.180, review of Krausse Teppiche exhibition; Ostler, Herbert and Geisselmann, Ägidius: Die Teppichkunst des Orients und die Kunst des Moderne, Munich, 1980, p.51). The second of these two rugs is a yellow ground prayer rug which also clearly bears the dates 1275 and 1276 (1858-60 AD).