A LOUIS XIV ORMOLU-MOUNTED BOULLE BRASS-INLAID AND BROWN TORTOISESHELL COMMODE, inlaid overall in premier partie, the rounded rectangular top with gadrooned edge inlaid with a Berainesque scene centred by a figure of Diana supported upon a scallop-shell and beneath a lambrequin-draped pagoda flanked by musicians, monkeys and foliate arabesques, above three short and three long drawers each simulated as three drawers, with further foliate arabesques and engraved with espagnolette-masks within a repeated foliate border centred by ribbon-tied female-masks, the raised pannelled sides with similar inlay and with laurel-clad female-masks above a gadrooned carrying-handle, the later shaped foliate-mounted apron with central scallop-shell and on later bracket feet, restorations and replacements to the marquetry, the underside of the carcase replaced, variously inscribed in pencil

Details
A LOUIS XIV ORMOLU-MOUNTED BOULLE BRASS-INLAID AND BROWN TORTOISESHELL COMMODE, inlaid overall in premier partie, the rounded rectangular top with gadrooned edge inlaid with a Berainesque scene centred by a figure of Diana supported upon a scallop-shell and beneath a lambrequin-draped pagoda flanked by musicians, monkeys and foliate arabesques, above three short and three long drawers each simulated as three drawers, with further foliate arabesques and engraved with espagnolette-masks within a repeated foliate border centred by ribbon-tied female-masks, the raised pannelled sides with similar inlay and with laurel-clad female-masks above a gadrooned carrying-handle, the later shaped foliate-mounted apron with central scallop-shell and on later bracket feet, restorations and replacements to the marquetry, the underside of the carcase replaced, variously inscribed in pencil
51½in. (131cm.) wide; 32¼in. (82cm.) high; 35¼in. (60cm.)deep

Lot Essay

The commode's brass-veneered top is richly inlaid with tortoiseshell in the Louis XIV 'antique' or 'arabesque' manner, and this includes a broad band framing a festive 'Triumph of Venus' cartouche and two lesser ones of seated and lyre-playing Indian figures.

Venus and Cupid, who are portrayed on a shell borne by zephry-winged merfolk, stand beneath a baldequin within a trellised triumphal-arch, which derives from an engraving of a marine triumph published in the 1680's by Jean Berain (d. 1711), Dessinateur de la Chambre et du Cabinet du Roi in his Grotesques. Festive ribbon-tied cartouches with shell-decked nymph-masks provide the central escutcheons for the tripartite-panelled drawers, and these masks are echoed in the 'boulle' inlay, which frames the handles, and accompany satyr-masks and insect-hunting birds, such as appear on the top.

A related commode, with satyr-mask escutcheons, (sold from Donacomper, Co. Kildare, Christie's House Sale, 25 July 1977, lot 75) has the same patterned panels framing the handles, but these are in contre partie boulle, while its matching top is centred by an Indian hunter in place of the marine trophy. A note attached to his commode stated that it was bought in Paris in the early 19th Century by William Kirkpatrick (d. 1844).

A commode with similar mounts and drawer panels, but with scrolled angle-brackets terminating in satyr-hooves was sold Christie's 4 June 1970, lot 67.

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