THE PROPERTY OF THE TRUSTEES OF THE HOLKER ESTATES
Thomas Gainsborough, R.A. (1727-1788)

Details
Thomas Gainsborough, R.A. (1727-1788)
Wooded Landscape with Herdsman and Cattle on a Path, a building beyond to the right
black and white chalk and stump on grey paper
10½ x 14½in. (267 x 368mm.)
Provenance
? William Esdaile; Christie's, 16 March 1838, lot 824, ( 3.10s to Cavendish)
With Paul and Dominic Colnaghi (label on reverse)
Literature
J. Hayes, 'Notes on British Art: The Holker Gainsboroughs',
June 1964, Supplement, Apollo, LXXX, July 1964, pp.2-3
J. Hayes, The Drawings of Thomas Gainsborough, London, 1970, pp.85, 247, no.598, repr. pl.191
Exhibited
Detroit, Institute of Art, and Philidelphia, Museum of Art, Romantic Art in Britain, January - April 1968, no.23, repr.

Lot Essay

This study shows the influence of Gaspard Poussin.
In his 1964 article John Hayes discusses the provenance of the five Holker Hall drawings (lots 9-12 plus his 1970 no.635) and suggests that they might have been taken there from Chatsworth by Cavendish, the seventh Duke of Devonshire after the big fire at Holker in 1871. He further suggests that the drawings might have been given by Gainsborough to Georgiana, Duchess of Devonshire, at the time she was sitting to him for her two portraits in the mid 1780s. The Colnaghi label is a difficulty in this case, as are the provenances suggested by the inscriptions on the backs of lots 10 and 12 and in his 1970 book Hayes seems to have dropped this suggestion

More from British Watercolours

View All
View All