Thomas Gainsborough, R.A. (1727-1788)

Details
Thomas Gainsborough, R.A. (1727-1788)
Mountain Landscape with Herdsman and Cattle passing a Cottage
with inscription on the reverse '1817 WE. Lamberts coll P45 N54/Gainsborough'; black and white chalk and stump on buff paper
11 x 14½in. (279x 368mm.)
Provenance
Lambert
William Esdaile; Christie's, 16 March 1838, lot 822 ( 1.2s to Cavendish)
By descent to the present owner
Literature
J. Hayes, 'Notes on British Art: The Holker Gainsboroughs', June 1964 Supplement, Apollo, LXXX, July 1964, pp. 2-3, repr. fig.3
J. Hayes, The Drawings of Thomas Gainsborough, London, 1970, pp.34, 255, no.636, repr. pl.194
Exhibited
London, Tate Gallery, Thomas Gainsborough, October 1980 - January 1981, no.37, repr. Washington, National Gallery of Art, Fort Worth, Kimbell Art Museum, and New Haven, Yale Center for British Art, Gainsborough Drawings, July - September 1983, no.71, repr.
Engraved
Thomas Rowlandson, Imitations of Modern Drawings, c.1784-1788

Lot Essay

This is another study made by Gainsborough under the influence of Gaspard Poussin. John Hayes describes it as 'One of Gainsborough's most densely and highly wrought compositions in black chalk. The inhospitable mountains, which make a harsh contrast with the pastoral features on the right, are influenced by the example of Gaspard Poussin, whose work he was emulating at this period' (exh. cat. Tate Gallery, 1980-1, .loc.cit.).
Rowlandson's etching is reproduced by Hayes, 1964 fig.1. The Lambert referred to in William Esdaile's inscription is presumably the Mr. Lambert referred to by F.T. Smith in connection with a visit to Esdaile's home on Clapham Common where he was particularly excited by the Gainsboroughs although he 'had seen many of them before, in the possession of the artist, Colonel Hamilton, Mr. Nassau, and Mr. Lambert' (A Book for a Rainy Day, 1845, pp.262-3, reprinted in Hayes 1970, p.98)

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