THE PROPERTY OF A LADY (Lots 135-136)
A SET OF FOUR GEORGE III GREY-PAINTED AND PARCEL-GILT OPEN ARMCHAIRS, each with oval padded back, arm-rests and serpentine seat covered in close-nailed pale blue material, with channelled back and downscrolled arms above a fluted seat-rail and on turned tapering fluted legs headed by spiral drapery collars and a beaded flowerhead, on later brass caps and castors, with cramp-cuts, chamfered seat-rail and batten-holes, the caps stamped COPE'S PATENT, one with repair to back legs, re-decorated (4)

Details
A SET OF FOUR GEORGE III GREY-PAINTED AND PARCEL-GILT OPEN ARMCHAIRS, each with oval padded back, arm-rests and serpentine seat covered in close-nailed pale blue material, with channelled back and downscrolled arms above a fluted seat-rail and on turned tapering fluted legs headed by spiral drapery collars and a beaded flowerhead, on later brass caps and castors, with cramp-cuts, chamfered seat-rail and batten-holes, the caps stamped COPE'S PATENT, one with repair to back legs, re-decorated (4)

Lot Essay

Although the overall design and construction of these chairs is of a type often associated with Thomas Chippendale, a number of comparable suites have recently been discovered that suggest several makers were working in a similar idiom.
Most significant of these features is the design of the arms which scroll down directly into the top of the leg. This does not appear on any provenanced Chippendale chairs where the arm joins the seatrail some distance back from the top of the front leg. This same leg and arm construction as here was used on a set of chairs at Chirk Castle, Denbighshire, that are now attributed to Mayhew and Ince (see: The Dictionary of English Furniture, Leeds, 1986, p. 596). A suite from Cobham Hall, Kent, also now attributed to them, shared this arm design with a husk-entwined flowerhead cresting (sold anonymously, in these Rooms, 19 November 1992, lot 104). It therefore seems impossible to make a confident attribution of this chair to any individual out of the leading London makers of the period

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