Two export lacquer medallions
Christie's charges a Buyer's premium calculated at… Read more
Two export lacquer medallions

EDO PERIOD (LATE 18TH CENTURY)

Details
Two export lacquer medallions
Edo Period (Late 18th Century)
Decorated in gold hiramaki-e and kinji on a roironuri ground, the first with a bust portrait of Louis XV, the reverse with inscription LXV.Roi de France. Paris chez Od...Md d'Estampes rue des Postes cul sac des Vrones, slight rubbing, the other depicting Nicolas de Catinat, the reverse inscribed Marechal de France, Né à Paris, le 1er Septembre 1637, Mort a sa Terre de St. Gratien le 25 Février, 1712, small retouch and cracks, the reverse cracked
12 cm. high (2)
Special notice
Christie's charges a Buyer's premium calculated at 20.825% of the hammer price for each lot with a value up to €90,000 (NLG 198.334). If the hammer price of a lot exceeds €90,000 then the hammer price of a lot is calculated at 20.825% of the first €90,000 plus 11.9% of any amount in excess of €90,000. Buyer's Premium is calculated on this basis for each lot individually.

Lot Essay

18th Century lacquerware made in Japan for the European market, was probably exclusively exported by the Dutch East Indies Company via Deshima, which had the sole privilege of trade via Japan. Two chief merchants of Deshima, Mr. I. Titsingh and Baron Johan Frederick van Reede tot de Parkeler were especially interested in lacquerwork during the last quarter of the 18th Century. The latter is known to have ordered a few portraits of King Frederic II of Prussia (1712-1786). The portraits were executed in gold on a black ground and oval or square of shape. They were pierced at the top so that they could be hung on a wall. The portraits in this series were modelled after prints illustrated in: L'Europe Illustre, Paris, compiled by Dreux du Radier. They formed part of a larger series in similar style representing famous personalities such as philosophers, artists and statesmen. It has proven impossible to reconstruct these series as most were destroyed during World War II. However a number of existing ones are signed and dated proving that they were made at Sasaya in Japan between 1787 and 1793.

More from CHINESE AND JAPANESE CERAMICS AND WORKS OF ART

View All
View All