Lot Essay
The scene on the interior of the lid is after Ravenet's engraving of 1739, after Jean-Baptiste Pater's painting La Marche Comique, two versions of which are recorded, one in the Frick Collection and one in the Metropolitan Museum of Art, New York.
The 1975 sale catalogue substantiated the attribution to Heinrici by comparison with an almost identical plaque illustrated in S. Ducret, 'Johann Martin Heinrici, Miniaturist in Meissen (1711-1786)', Faenza, 1951, vol. XXXVII.
Another boîte-à-trois-tabacs with very similar decoration also attributed to Heinrici, is in the Gilbert Collection, London, see C. Truman, The Gilbert Collection of Gold Boxes, Volume Two, London, 1999, no. 26, pp. 49-50, and in S. Coffin B. Hofstetter, The Gilbert Collection. Portrait Miniatures in Enamel, London, 2000, no. 90, pp. 138-139.
The 1975 sale catalogue substantiated the attribution to Heinrici by comparison with an almost identical plaque illustrated in S. Ducret, 'Johann Martin Heinrici, Miniaturist in Meissen (1711-1786)', Faenza, 1951, vol. XXXVII.
Another boîte-à-trois-tabacs with very similar decoration also attributed to Heinrici, is in the Gilbert Collection, London, see C. Truman, The Gilbert Collection of Gold Boxes, Volume Two, London, 1999, no. 26, pp. 49-50, and in S. Coffin B. Hofstetter, The Gilbert Collection. Portrait Miniatures in Enamel, London, 2000, no. 90, pp. 138-139.