A gilt-metal striking hexagonal table clock movement
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A gilt-metal striking hexagonal table clock movement

NICOLAS LEMAINDRE A BLOYS. DATED 1619

Details
A gilt-metal striking hexagonal table clock movement
Nicolas Lemaindre a Bloys. Dated 1619
The substantial two-tier gilt-brass movement with dial plate pinned to the side of the plates and applied with a Roman chapter ring with star half hour markers and blued steel hand, foliate engraved centre, the upper tier enclosing the srike train with six baluster pillars finely cast with acanthus foliage and pinned to the top plate, the train with large gilt spring barrel and gut fusee, large decorative blued steel strike gate pierced and chiseled with foliage, the blued steel countwheel positioned on the back plate overlaid with a gilt cover calibrated 1 to 12 and pierced and engraved with scrolling foliage and with a foliate pierced and engraved screwed foot, the going train within the lower tier secured by six gilt-metal square section pierced tapering pillars with foliate decorated capitals, the going train with large gilt spring barrel and gut fusee, foliate engraved gilt potance for the crown wheel and verge, replaced plain steel balance, the balance cock exquisitely pierced and engraved with a central monogram MM beneath a crown held by winged putti within elaborate scolling foliage and flowerheads, the table and foot joined by a small raised section engraved with a vignette of the Nativity, blued steel click wheel with elaborately chiseled blued steel ratchet secured by an intricate gilt-metal cock; the table pierced and engraved with flowerheads, acorns and foliage around the S-form body of an animal, the foot similarly pierced and engraved with intricate trailing foliage with flowerheads and centred by the Royal arms of France impaling Medici quartering another surmounted by the crown of France, the back plate signed Nicolas Lemaindre ABloys 1619
8 in. (20 cm.) high
Provenance
Almost certainly commissioned by Queen Marie of France, widow of King Henri IV of France and Navarre (1589-1610), daughter of Francesco I, Grand Duke of Tuscany.
Literature
Tardy, French Clocks, the World over, Paris, 1981, Part 1, pp. 54-57
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The present clock movement is remarkable, not only because it is an extraordinary and unique example of early French clockmaking, but also because it was a Royal commission and has an interesting history.
Queen Marie of France (1573-1642) was the daughter of Francesco de Medici, Grand Duke of Tuscany and Joanna of Austria. In October 1600 she married the recently divorced King Henry IV of France and a year later she gave birth to the Dauphin (Louis XIII). Their marriage was a turbulent one despite the fact that she gave birth to five more children in the ensuing eight years. Following the King's assassination in 1610 Marie became Regent for the young Dauphin. Her capricious character led to her squandering the State's revenues and when the Dauphin came of age to rule in 1614 she ignored him and continued to govern in his name. In 1617 her lover, the Marquis d'Ancre, was assassinated and Marie was exiled to Blois. Despite two failed attempts at raising a revolt she still managed to find favour with the Cardinal de Richelieu and was re-admitted to the King's court.
It seems sensible to suggest that the present clock was made for Queen Marie of France whilst she was in exile in Blois between March 1617 and February 1619. The case for a movement like this would have been a magnificent creation, quite probably made of precious metals and stones. The mystery of its demise is probably linked to its owner's sad end; Marie fell out with the all-powerful Cardinal de Richelieu and in February 1631 she was banished to Compiègne. She then fled to Brussels in the Spanish Netherlands where she died destitute eleven years later, the case probably a victim of her penury.

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